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Table of Contents
Introduction
| Introduction: New Perspectives on Popular Music in Asia |
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| Shelley Brunt | 103-106 |
Articles
| Ideology and the performance of Chineseness: Hong Kong singers on the CCTV stage |
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| Lauren Gorfinkel | 107-128 |
| God Bless come back: new experiments with nostalgia in Indonesian rock |
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| Emma Baulch | 129-146 |
| The success of hopelessness: the evolution of Korean indie music |
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| Hyunjoon Shin | 147-165 |
| Soundscapes in Vedic metal: a perspective from Singapore |
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| Eugene Dairianathan | 167-189 |
Reviews
| Book Review: Moskowitz, Marc L. 2010. Cries of Joy, Songs of Sorrow: Chinese Pop Music and its Cultural Connotations. Honolulu: University of Hawai’i Press. ISBN 978-0-8248- 3369-5 (hbk), 978-0-8248-3422-7 (pbk). 165 pp. |
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| Nancy Guy | 191-193 |
| Book Review: Goddard, M., and Benjamin Halligan, eds. 2010. Mark E. Smith and The Fall: Art, Music, and Politics. Aldershot: Ashgate. ISBN 9-780-754-66867-1 (pbk). 209 pp. |
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| Rob Chapman | 194-195 |
| Book Review: Drewett, M., Sarah Hill and Kimi Kärki, eds. 2010. Peter Gabriel, From Genesis to Growing Up. Aldershot: Ashgate. ISBN 978-0-7546-6521-2 (hbk). 288 pp. |
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| Robert G. H. Burns | 196-197 |
| Book Review: Laing, D. 2010. Buddy Holly. London: Equinox. ISBN 978-1-84553-627-5 (pbk). 194 pp. |
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| Roger Landes | 196-197 |
ISSN: 18360343