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Table of Contents
Editorial
| Heavy metal as controversy and counterculture |
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| Titus Hjelm, Keith Kahn-Harris, Mark Levine | 5-18 |
Controversies
| Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not |
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| Andy R. Brown | 19-37 |
| 'How you gonna see me now': Recontextualizing metal artists and moral panics |
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| Brad Klypchak | 38-51 |
| Triumph of the maggots? Valorization of metal in the rock press |
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| Hélène Laurin | 52-67 |
| Dworkin’s nightmare: Porngrind as the sound of feminist fears |
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| Lee Barron | 68-84 |
| The ‘double controversy’ of Christian metal |
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| Marcus Moberg | 85-99 |
| Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France |
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| Gérôme Guibert, Jedediah Sklower | 100-115 |
Countercultures
| 'I want you to support local metal': A theory of metal scene formation |
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| Jeremy Wallach, Alexandra Levine | 116-134 |
| Voice of our blood: National Socialist discourses in black metal |
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| Benjamin Hedge Olson | 135-149 |
| Extreme music for extreme people? Norwegian black metal and transcendent violence |
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| Michelle Phillipov | 150-163 |
| The extreme metal ‘connoisseur’ |
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| Nicola Allett | 164-179 |
| Black metal: Stone Vengeance sing the thrash metal blues |
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| Kevin Fellezs | 180-197 |
| ‘[I] hate girls and emo[tion]s: Negotiating masculinity in grindcore music |
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| Rosemary Overell | 198-223 |
| Heavy metal and the deafening threat of the apolitical |
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| Niall Scott | 224-239 |
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