| Issue | Title | |
| Vol 1, No 1 (2007) | Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington | Abstract |
| George Burrows | ||
| Vol 2, No 2 (2008) | Attaining unity: Self-reference in the music of John Coltrane | Abstract |
| Marc Medwin | ||
| Vol 1, No 2 (2007) | Being bop: how the press shaped the cult of bebop | Abstract |
| Thomas Turner | ||
| Vol 4, No 1 (2010) | Book Review: Charles Hersch, Subversive Sounds: Race and the Birth of Jazz in New Orleans. Chicago and London: University of Chicago Press, 2007. Xii + 289 pp. | Details |
| Bruce Boyd Raeburn | ||
| The Source: Volume 1 (2004) | Burns, Baby, Burns: jazz history as a contested cultural site | Abstract |
| Alan Stanbridge | ||
| The Source: Volume 1 (2004) | Checking our balances: Louis Armstrong, Ralph Ellison, and Betty Boop | Abstract |
| Robert G. O'Meally | ||
| Vol 3, No 1 (2009) | Coltrane and Beyond | Abstract |
| Tony Whyton, Catherine Tackley, Vincent Cotro | ||
| The Source: Volume 2 (2005) | Core and Boundaries | Abstract |
| Scott Deveaux | ||
| Vol 1, No 2 (2007) | David Murray: the making of a progressive musician | Abstract |
| Tim Wall | ||
| The Source: Volume 2 (2005) | Deconstructing the Jazz Tradition: The 'Subjectless Subject' of New Jazz Studies | Abstract |
| Sherrie Tucker | ||
| The Source: Volume 1 (2004) | Editorial | Details |
| Tony Whyton | ||
| The Source: Volume 2 (2005) | Editorial | Details |
| Tony Whyton | ||
| Vol 1, No 1 (2007) | Editorial | Details |
| Catherine Parsonage, Tony Whyton | ||
| Vol 2, No 1 (2008) | Editorial | Details |
| Catherine Parsonage, Tony Whyton | ||
| Vol 4, No 1 (2010) | Editorial | Details |
| Catherine Tackley | ||
| Vol 4, No 2 (2010) | Editorial: The Other Jazz | Details |
| Tony Whyton, Catherine Tackley | ||
| Vol 1, No 1 (2007) | Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival | Abstract |
| Matt Brennan | ||
| Vol 2, No 1 (2008) | From Blues to Latin Just in Time: A rhythmic analysis | Abstract |
| Eduardo Lopes | ||
| Vol 3, No 1 (2009) | Giant Steps, freedom won over / by constraint | Abstract |
| Philippe MICHEL | ||
| Vol 3, No 1 (2009) | Giant Steps, freedom won over / by constraint | Abstract |
| Philippe Michel, | ||
| Vol 3, No 1 (2009) | Intervallic Structuring in the Compositions of John Coltrane | Abstract |
| Ludovic Florin | ||
| Vol 1, No 1 (2007) | Is jazz popular music? | Abstract |
| Simon Frith | ||
| Vol 4, No 2 (2010) | Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta | Abstract |
| Stephane Dorin | ||
| Vol 3, No 2 (2009) | Jazz Britannia: mediating the story of British jazz on television | Abstract |
| Tim Wall, Paul Long | ||
| Vol 4, No 2 (2010) | Jazz in Kuala Lumpur | Abstract |
| Gisa Jähnichen | ||
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ISSN: 17538645