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Issue Title
Vol 13, No 1 (2012) 'Like him or loathe him': 
critical reactions to André Rieu in Australia Abstract
Sarah Keith
Vol 14, No 1 (2013) Andy Bennett and Jon Stratton, eds. 2010. Britpop and the English Music Tradition. Farnham: Ashgate. ISBN 978-0-7546-6805-3 (hbk). 225pp. £55.00. Details
Gwen Bouvier
Vol 12, No 1 (2011) Book review - Glenda Keam and Tony Mitchell (eds) (2011) Details
Matthew Bannister
Vol 12, No 2 (2011) Book Review: Drewett, M., Sarah Hill and Kimi Kärki, eds. 2010. Peter Gabriel, From Genesis to Growing Up. Aldershot: Ashgate. ISBN 978-0-7546-6521-2 (hbk). 288 pp. Details
Robert G. H. Burns
Vol 12, No 2 (2011) Book Review: Goddard, M., and Benjamin Halligan, eds. 2010. Mark E. Smith and The Fall: Art, Music, and Politics. Aldershot: Ashgate. ISBN 9-780-754-66867-1 (pbk). 209 pp. Details
Rob Chapman
Vol 12, No 2 (2011) Book Review: Laing, D. 2010. Buddy Holly. London: Equinox. ISBN 978-1-84553-627-5 (pbk). 194 pp. Details
Roger Landes
Vol 12, No 2 (2011) Book Review: Moskowitz, Marc L. 2010. Cries of Joy, Songs of Sorrow: Chinese Pop Music and its Cultural Connotations. Honolulu: University of Hawai’i Press. ISBN 978-0-8248- 3369-5 (hbk), 978-0-8248-3422-7 (pbk). 165 pp. Details
Nancy Guy
Vol 15, No 1 (2014) Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air Abstract
Jennifer Cattermole
Vol 13, No 1 (2012) De Kloet, Jeroen. 2010. China with a Cut: Urban Youth and Popular Music. Amsterdam: Amsterdam University Press. ISBN 978-9-08964-162-5 (pbk). 264pp. Details
Andreas Steen
Vol 10, No 1 (2009) Dialing In: The Sound of Television in the Pacific Region Abstract
Mark Evans
Vol 13, No 2 (2012) Electronic dance music, the rock myth, and authenticity Abstract
John Gunders
Vol 11, No 2 (2010) Emo online: networks of sociality/networks of exclusion Abstract
Rosemary Overell
Vol 14, No 1 (2013) Frederick Moehn. 2012. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Duke University Press. ISBN 978-0-8223-5155-9 (pbk). 320pp. $24.95. Details
Eric A. Galm
Vol 15, No 1 (2014) German-Indigenous musical flows at Ntaria in the 1960s: Tiger Tjalkalyeri’s rendition of ‘Silent Night’, or what is tradition anyway? Abstract
Andrew Wright Hurley
Vol 11, No 2 (2010) Gilding the pearl: cultural heritage, sexual allure and polychromatic exoticism on Hainan island Abstract
Philip Hayward, John Fangjun Li
Vol 11, No 1 (2010) Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea Abstract
Kirsty Gillespie
Vol 12, No 2 (2011) God Bless come back: new experiments with nostalgia in Indonesian rock Abstract
Emma Baulch
Vol 11, No 2 (2010) Governmental as anything: live music and law and order in Melbourne Abstract
Shane Homan
Vol 14, No 2 (2013) Gregory, G. 2012. Send in the Clones: A Cultural Study of the Tribute Band. Sheffield: Equinox. ISBN 978-1-84553263-5 (hbk); 978-1-84553-245-1 (pbk). 172 pp. Details
Eric Haanstad
Vol 10, No 2 (2009) Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp Details   PDF
Martin Cloonan
Vol 13, No 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians Abstract
Barry Hill, Jon Fitzgerald
Vol 13, No 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. Details
Don Conway-Long
Vol 12, No 2 (2011) Ideology and the performance of Chineseness: Hong Kong singers on the CCTV stage Abstract
Lauren Gorfinkel
Vol 10, No 2 (2009) Imagining Okinawa: Japanese pop musicians and Okinawan music Abstract   PDF
Matt Gillan
Vol 15, No 1 (2014) Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs Abstract
Julie Rickwood
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