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| Dublin Core |
PKP Metadata Items |
Metadata for this Document |
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| 1. |
Title |
Title of document |
Acknowledgements and About the Authors - Terror Tracks |
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| 2. |
Creator |
Author's name, affiliation, country |
Philip Hayward; Macquarie University; Australia |
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| 3. |
Subject |
Discipline(s) |
Music; Cinema |
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| 4. |
Subject |
Keyword(s) |
soundtrack; cinema; thriller |
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| 5. |
Subject |
Subject classification |
N1-(9211) Visual arts; MT737 Motion picture accompanying |
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| 6. |
Description |
Abstract |
Commissioned and edited to appeal to a crossover Film and Music Studies readership, Terror Tracks is an anthology that analyses the use of music and sound in the popular genre of Horror cinema. Focusing on the post-War period, contributors analyse the role of music and sound in establishing and enhancing the senses of unease, suspense and shock crucial to the genre. The anthology shows the various patterns of use an inflection in a range of scores – orchestral, popular, rock and electronic – and how these relate to non-musical sound. Lively and accessible, Terror Tracks is an important contribution to study of Horror cinema.
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| 7. |
Publisher |
Organizing agency, location |
Equinox Publishing Ltd |
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| 8. |
Contributor |
Sponsor(s) |
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| 9. |
Date |
(YYYY-MM-DD) |
01-Jul-2009 |
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| 10. |
Type |
Status & genre |
Peer-reviewed Article |
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| 11. |
Type |
Type |
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| 12. |
Format |
File format |
PDF |
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| 13. |
Identifier |
Uniform Resource Identifier |
https://journals.equinoxpub.com/index.php/books/article/view/19118 |
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| 14. |
Identifier |
Digital Object Identifier |
10.1558/equinox.19118 |
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| 15. |
Source |
Journal/conference title; vol., no. (year) |
Equinox eBooks Publishing; Terror Tracks |
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| 16. |
Language |
English=en |
en |
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| 18. |
Coverage |
Geo-spatial location, chronological period, research sample (gender, age, etc.) |
global |
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| 19. |
Rights |
Copyright and permissions |
Copyright 2014 Equinox Publishing Ltd |