An Audiovisual Foreshadowing in Psycho
| Dublin Core | PKP Metadata Items | Metadata for this Document | |
| 1. | Title | Title of document | An Audiovisual Foreshadowing in Psycho - Terror Tracks |
| 2. | Creator | Author's name, affiliation, country | Scott Murphy; University of Kansas; United States |
| 3. | Subject | Discipline(s) | Music; Cinema |
| 4. | Subject | Keyword(s) | soundtrack; cinema; Psycho; Alfred Hitchcock |
| 5. | Subject | Subject classification | N1-(9211) Visual arts; MT737 Motion picture accompanying |
| 6. | Description | Abstract | This chapter proposes a way of reading the film Psycho and analysing the structure of both the aural and visual components of the main title that supports Hermann's claim that 'The climax of Psycho is given to you by the music right at the moment the film begins.' The chapter's argument to support this comes in two parts: the first uncovers a structural similarity between Herrmanns music and Basss titles, and the second relates aspects of these structures to a psychoanalytic interpretation of Norman Batess character. |
| 7. | Publisher | Organizing agency, location | Equinox Publishing Ltd |
| 8. | Contributor | Sponsor(s) | |
| 9. | Date | (YYYY-MM-DD) | 01-Jul-2009 |
| 10. | Type | Status & genre | Peer-reviewed Article |
| 11. | Type | Type | |
| 12. | Format | File format | |
| 13. | Identifier | Uniform Resource Identifier | https://journals.equinoxpub.com/index.php/books/article/view/19122 |
| 14. | Identifier | Digital Object Identifier | 10.1558/equinox.19122 |
| 15. | Source | Journal/conference title; vol., no. (year) | Equinox eBooks Publishing; Terror Tracks |
| 16. | Language | English=en | en |
| 18. | Coverage | Geo-spatial location, chronological period, research sample (gender, age, etc.) | global |
| 19. | Rights | Copyright and permissions | Copyright 2014 Equinox Publishing Ltd |