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Rhythms of Evil: Exorcizing Sound from The Exorcist


 
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1. Title Title of document Rhythms of Evil: Exorcizing Sound from The Exorcist - Terror Tracks
 
2. Creator Author's name, affiliation, country Mark Evans; Macquarie University; Australia
 
3. Subject Discipline(s) Music; Cinema
 
4. Subject Keyword(s) soundtrack; cinema; thriller; The Exorcist
 
5. Subject Subject classification N1-(9211) Visual arts; MT737 Motion picture accompanying
 
6. Description Abstract Previous accounts of sound in The Exorcist have tended to focus on the non-diegetic musical segments of the film (Bazelon, 1975; Brophy, 2001), or else the haunting lack of music in totality (Marriott, 2004). Most have discussed the manipulation of Regan’s voice as she becomes increasingly controlled by the demon Pazuzu. Even more have paid great attention to the role of Oldfield’s Tubular Bells (e.g., Marriott, 2004; Brophy, 2001). Missing from these accounts has been any discussion on how the soundtrack synthesizes key themes of the film. Most pointedly, it is argued here, the soundtrack achieves this via the manipulation of rhythmic elements. The chapter shows how over and above any good versus evil polemic, the soundtrack of The Exorcist re-enforces the battle between the natural (safe) rhythms of everyday life and the disruptive dysrhythm of evil.
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 01-Jul-2009
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/index.php/books/article/view/19127
 
14. Identifier Digital Object Identifier 10.1558/equinox.19127
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Terror Tracks
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.) global
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd