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| Dublin Core |
PKP Metadata Items |
Metadata for this Document |
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| 1. |
Title |
Title of document |
Scary Movies, Scary Music: Uses and Unities of Heavy Metal in the Contemporary Horror Film - Terror Tracks |
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| 2. |
Creator |
Author's name, affiliation, country |
Lee Barron; Northumbria University; United Kingdom |
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| 2. |
Creator |
Author's name, affiliation, country |
Ian Inglis; University of Northumbria; United Kingdom |
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| 3. |
Subject |
Discipline(s) |
Music; Cinema |
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| 4. |
Subject |
Keyword(s) |
soundtrack; cinema; thriller; Heavy Metal |
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| 5. |
Subject |
Subject classification |
N1-(9211) Visual arts; MT737 Motion picture accompanying |
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| 6. |
Description |
Abstract |
One of the most profound developments in strategies of scoring films since the introduction of sound to cinema emerged in the 1970s, when the perennial reliance on the creation of a new, freshly composed, classical film score began to be challenged by a preference for utilizing already existing (popular) musical sources. this chapter looks at the use of Heavy Metal in contemporary films, showing how It is, that music's ability to provide a demonic presence that has made it such a suitable partner for the horror movie. |
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| 7. |
Publisher |
Organizing agency, location |
Equinox Publishing Ltd |
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| 8. |
Contributor |
Sponsor(s) |
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| 9. |
Date |
(YYYY-MM-DD) |
01-Jul-2009 |
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| 10. |
Type |
Status & genre |
Peer-reviewed Article |
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| 11. |
Type |
Type |
|
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| 12. |
Format |
File format |
PDF |
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| 13. |
Identifier |
Uniform Resource Identifier |
https://journals.equinoxpub.com/index.php/books/article/view/19131 |
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| 14. |
Identifier |
Digital Object Identifier |
10.1558/equinox.19131 |
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| 15. |
Source |
Journal/conference title; vol., no. (year) |
Equinox eBooks Publishing; Terror Tracks |
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| 16. |
Language |
English=en |
en |
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| 18. |
Coverage |
Geo-spatial location, chronological period, research sample (gender, age, etc.) |
global |
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| 19. |
Rights |
Copyright and permissions |
Copyright 2014 Equinox Publishing Ltd |