Entering the Labyrinth: How Henson and Bowie Created a Musical Fantasy
| Dublin Core | PKP Metadata Items | Metadata for this Document | |
| 1. | Title | Title of document | Entering the Labyrinth: How Henson and Bowie Created a Musical Fantasy - The Music of Fantasy Cinema |
| 2. | Creator | Author's name, affiliation, country | Liz Giuffre; University of New South Wales; Australia |
| 3. | Subject | Discipline(s) | Popular music; Film music |
| 4. | Subject | Keyword(s) | fantasy cinema; film music; popular music genres |
| 5. | Subject | Subject classification | Films, cinema (APF); Music: styles & genres (AVG) |
| 6. | Description | Abstract | The chapter looks at David Bowie’s performance in and music for Labyrinth (Jim Henson, 1986). The chapter argues that the film’s continuing appeal centres on the collaboration between Henson and Bowie rather than simply on its content as a narrative and, most importantly, that this collaboration was essential in locating Labyrinth as a fantasy film. |
| 7. | Publisher | Organizing agency, location | Equinox Publishing Ltd |
| 8. | Contributor | Sponsor(s) | |
| 9. | Date | (YYYY-MM-DD) | 01-Jul-2012 |
| 10. | Type | Status & genre | Peer-reviewed Article |
| 11. | Type | Type | |
| 12. | Format | File format | |
| 13. | Identifier | Uniform Resource Identifier | https://journals.equinoxpub.com/index.php/books/article/view/20996 |
| 14. | Identifier | Digital Object Identifier | 10.1558/equinox.20996 |
| 15. | Source | Journal/conference title; vol., no. (year) | Equinox eBooks Publishing; The Music of Fantasy Cinema |
| 16. | Language | English=en | en |
| 18. | Coverage | Geo-spatial location, chronological period, research sample (gender, age, etc.) |
global, twentieth century; twenty-first century; |
| 19. | Rights | Copyright and permissions | Copyright 2014 Equinox Publishing Ltd |