interlude: jazz criticism and race politics in the early 1960s
Dublin Core | PKP Metadata Items | Metadata for this Document | |
1. | Title | Title of document | interlude: jazz criticism and race politics in the early 1960s - Lee Morgan |
2. | Creator | Author's name, affiliation, country | Tom Perchard; Goldsmiths College and the University of Westminster |
3. | Subject | Discipline(s) | Popular music; jazz; music |
4. | Subject | Keyword(s) | jazz; musician; music; biography; American jazz; jazz trumpeter; trumpet; race; black liberation movement; America |
5. | Subject | Subject classification | Jazz (AVGJ); Biography: arts & entertainment (BGF) |
6. | Description | Abstract | This chapter discusses jazz in the 1960s and jazz criticism, which came mostly from white musicians. Moreover, it presents the 1960s Black Arts Movement, whose theorists argued that white critics had little understanding or empathetic feeling toward the cultural and aesthetic sphere to which jazz belonged. |
7. | Publisher | Organizing agency, location | Equinox Publishing Ltd |
8. | Contributor | Sponsor(s) | |
9. | Date | (YYYY-MM-DD) | 01-Oct-2006 |
10. | Type | Status & genre | Peer-reviewed Article |
11. | Type | Type | |
12. | Format | File format | |
13. | Identifier | Uniform Resource Identifier | https://journals.equinoxpub.com/index.php/books/article/view/21151 |
14. | Identifier | Digital Object Identifier | 10.1558/equinox.21151 |
15. | Source | Journal/conference title; vol., no. (year) | Equinox eBooks Publishing; Lee Morgan |
16. | Language | English=en | en |
18. | Coverage | Geo-spatial location, chronological period, research sample (gender, age, etc.) |
USA, 1938-72 |
19. | Rights | Copyright and permissions | Copyright 2014 Equinox Publishing Ltd |