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Parody, Self-Parody and Genre-Parody: Music in The Magnificent Seven and ¡Three Amigos!


 
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1. Title Title of document Parody, Self-Parody and Genre-Parody: Music in The Magnificent Seven and ¡Three Amigos! - Sounding Funny
 
2. Creator Author's name, affiliation, country Erik Heine; Oklahoma City University;
 
3. Subject Discipline(s) popular music; film music
 
4. Subject Keyword(s) Elmer Bernstein; Randy Newman; Magnificent Seven; Three Amigos; comedy; parody; western; music
 
5. Subject Subject classification Films, cinema (APF); Film: styles & genres (APFN)
 
6. Description Abstract The chapter investigates how composer Elmer Bernstein took elements from his famous score for The Magnificent Seven and reused and reworked them into his score for the Western comedy ¡Three Amigos! Although much of his music is “straight,” Bernstein did compose cues intended to be humorous, in order to highlight the absurdity of the on-screen image. He also reworked a love theme cue from The Magnificent Seven into something entirely different in ¡Three Amigos!, again emphasizing the absurdity of the on-screen image. Composer Randy Newman contributed songs to the film as well. When the Amigos sing and dance, it demonstrates that they are entertainers, not gunfighters, and Bernstein’s score propels them to fulfill their movie roles in real life.
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 25-Jan-2016
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/index.php/books/article/view/24489
 
14. Identifier Digital Object Identifier 10.1558/equinox.24489
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Sounding Funny
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.)
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd