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Spanish film music in the 1940s: Comedy, subversion, and dissident rhythms in the films of Manuel Parada


 
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1. Title Title of document Spanish film music in the 1940s: Comedy, subversion, and dissident rhythms in the films of Manuel Parada - Sounding Funny
 
2. Creator Author's name, affiliation, country Laura Gonzalez; Universidad de Oviedo, Spain ;
 
3. Subject Discipline(s) popular music; film music
 
4. Subject Keyword(s) 1940s Spain; Manuel Parada; jazz
 
5. Subject Subject classification Films, cinema (APF); Film: styles & genres (APFN)
 
6. Description Abstract This chapter addresses a particular era of Spanish film making, that of the 1940s, through a seldom-studied genre: comedy. For the public, comedy represented an escape from the difficult socio-economic environment of postwar Spain. Despite its presumed innocuousness, the genreā€™s relaxed and carefree scripts can be regarded as subversive in that they that showed a way of life far removed from the reality of everyday existence. Far from the cine de cruzada, literary adaptations or historical films; comedies represented, for the majority of Spaniards, a point of access to musical modernity, not only European but also North American, through stylised jazz rhythms (which were progressively introduced into comedies during the period of the Second Republic (1931-39).
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 25-Jan-2016
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/index.php/books/article/view/24495
 
14. Identifier Digital Object Identifier 10.1558/equinox.24495
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Sounding Funny
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.)
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd