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‘Anything But Ballet’: Individuality, Genre-Bending, and Sexual Expression in Center Stage


 
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1. Title Title of document ‘Anything But Ballet’: Individuality, Genre-Bending, and Sexual Expression in Center Stage - Movies, Moves and Music
 
2. Creator Author's name, affiliation, country Gillian Turnbull; Ryerson University;
 
3. Subject Discipline(s) popular music; film music
 
4. Subject Keyword(s) ballet; popular music; Center Stage; gender; dance performance
 
5. Subject Subject classification Dance
 
6. Description Abstract This chapter argues that the employment of popular music throughout Center Stage functions to break the impenetrability of ballet, securing its place within a more commercial (or lowbrow) mainstream, while elevating popular music to the role of reconstructing ideas about classical dance. It also explores how genre determines individual and sexual expression, manifested in the overt declaration of masculine and feminine identities in movement and in the use of alternative gestures in classical ballet, which similarly disrupt conventional notions about ballet traditions. Rock and pop music further enable the characters in Center Stage to use alternative gestures in order to disentangle the standard gender roles that still dominate ballet.
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 15-Jan-2016
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/index.php/books/article/view/27434
 
14. Identifier Digital Object Identifier 10.1558/equinox.27434
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Movies, Moves and Music
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.) international,
twentieth century to contemporary
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd