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5. Cuba Street Parade: Identity, Authenticity and Self-Expression in Contemporary Australasian Jazz Scenes


 
Dublin Core PKP Metadata Items Metadata for this Document
 
1. Title Title of document 5. Cuba Street Parade: Identity, Authenticity and Self-Expression in Contemporary Australasian Jazz Scenes - Antipodean Riffs
 
2. Creator Author's name, affiliation, country Nick Tipping; New Zealand School of Music; New Zealand
 
3. Subject Discipline(s) popular music
 
4. Subject Keyword(s) Melbourne; Wellington; identity; authenticity
 
5. Subject Subject classification jazz
 
6. Description Abstract While jazz has developed into a global artform, its history (and much of its present) remain bound to activity in the US. Jazz musicians in Australia and New Zealand must negotiate the tension between normative expression via an adopted artform, and expression of their own identities as contemporary New Zealanders and Australians, through the discarding of convention in order to achieve greater integrity of expression. Through interviews with musicians from the (multiple) scenes in Melbourne and Wellington, various perspectives are considered. The influence of jazz education, and the notion of national style are also discussed.
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 08-Feb-2016
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF, PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/index.php/books/article/view/27480
 
14. Identifier Digital Object Identifier 10.1558/equinox.27480
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Antipodean Riffs
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.) Australia,
twentieth and twenty-first centuries
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd