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13. Expressive Identity in the Voices of Three Australian Saxophonists: McGann, Sanders and Gorman


 
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1. Title Title of document 13. Expressive Identity in the Voices of Three Australian Saxophonists: McGann, Sanders and Gorman - Antipodean Riffs
 
2. Creator Author's name, affiliation, country Sandy Evans; Sydney Conservatorium of Music, Sydney University and University of New South Wales; Australia
 
3. Subject Discipline(s) popular music
 
4. Subject Keyword(s) Australian jazz; Bernie McGann; Kim Sanders; Tony Gorman; saxophone
 
5. Subject Subject classification jazz
 
6. Description Abstract Bernie McGann, Kim Sanders and Tony Gorman1 are three Australian saxophonists
with distinctive sounds. I will analyse and discuss a composition and improvisation from a seminal recording by each saxophonist: McGann’s ‘Playground’, Sanders’s ‘Gnome
Chomsky’s Deep Focus Boogie-Woogie’ and Gorman’s ‘Spice Island’, supported
by material from interviews with the saxophonists where available. My objective is not to compare the relative merits of each saxophonist, but to identify some of the key factors in the conception, development and realization of their expressive identity.
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 08-Feb-2016
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF, PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/index.php/books/article/view/28949
 
14. Identifier Digital Object Identifier 10.1558/equinox.28949
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Antipodean Riffs
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.) Australia,
twentieth and twenty-first centuries
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd