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U2 and the Blinding Lights of the City


 
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1. Title Title of document U2 and the Blinding Lights of the City - The Rosary and the Microphone
 
2. Creator Author's name, affiliation, country Nicholas Greco; Providence University College, Canada; Canada
 
3. Subject Discipline(s) Popular Music
 
4. Subject Keyword(s) nationalism; semiotics; performance; visual communication
 
5. Subject Subject classification Popular Music
 
6. Description Abstract This chapter explores how U2’s music and stage presentation use the image of the contemporary city as a site for exploring the utopian and dystopian aspects of contemporary life. The ways that U2 approach the urban experience also point to the band’s complicity, as U2 expresses both a powerful utopian idea (social change and human progress) and dystopian problem (being complicit with market forces; being drenched in irony or postmodern flux).
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 23-Oct-2019
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/index.php/books/article/view/31263
 
14. Identifier Digital Object Identifier 10.1558/equinox.31263
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; The Rosary and the Microphone
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.)
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd