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Dublin Core |
PKP Metadata Items |
Metadata for this Document |
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1. |
Title |
Title of document |
U2 and the Blinding Lights of the City - The Rosary and the Microphone |
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2. |
Creator |
Author's name, affiliation, country |
Nicholas Greco; Providence University College, Canada; Canada |
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3. |
Subject |
Discipline(s) |
Popular Music |
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4. |
Subject |
Keyword(s) |
nationalism; semiotics; performance; visual communication |
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5. |
Subject |
Subject classification |
Popular Music |
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6. |
Description |
Abstract |
This chapter explores how U2’s music and stage presentation use the image of the contemporary city as a site for exploring the utopian and dystopian aspects of contemporary life. The ways that U2 approach the urban experience also point to the band’s complicity, as U2 expresses both a powerful utopian idea (social change and human progress) and dystopian problem (being complicit with market forces; being drenched in irony or postmodern flux). |
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7. |
Publisher |
Organizing agency, location |
Equinox Publishing Ltd |
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8. |
Contributor |
Sponsor(s) |
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9. |
Date |
(YYYY-MM-DD) |
23-Oct-2019 |
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10. |
Type |
Status & genre |
Peer-reviewed Article |
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11. |
Type |
Type |
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12. |
Format |
File format |
PDF |
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13. |
Identifier |
Uniform Resource Identifier |
https://journals.equinoxpub.com/index.php/books/article/view/31263 |
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14. |
Identifier |
Digital Object Identifier |
10.1558/equinox.31263 |
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15. |
Source |
Journal/conference title; vol., no. (year) |
Equinox eBooks Publishing; The Rosary and the Microphone |
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16. |
Language |
English=en |
en |
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18. |
Coverage |
Geo-spatial location, chronological period, research sample (gender, age, etc.) |
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19. |
Rights |
Copyright and permissions |
Copyright 2014 Equinox Publishing Ltd |