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Gender Ventriloquism: Songwriting, Production and the Mediation of Women’s Voices


 
Dublin Core PKP Metadata Items Metadata for this Document
 
1. Title Title of document Gender Ventriloquism: Songwriting, Production and the Mediation of Women’s Voices - She’s at the Controls
 
2. Creator Author's name, affiliation, country Helen Reddington; University of East London; United Kingdom
 
3. Subject Discipline(s) Popular Music; Music Industry
 
4. Subject Keyword(s) women studio professionals, gender in the music industry, popular music journalism, music industry studies
 
5. Subject Subject classification music technolology and production; gender studies; performing arts; social history
 
6. Description Abstract Working practices between auteur producers and female clients are examined,introducing the idea of gender ventriloquism. Using examples of existing studio writing and recording relationships, the complex issues of authorship and male and female power are considered, partly through the gender roles being ‘flipped’ using original interview material.
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 29-Mar-2021
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/index.php/books/article/view/33690
 
14. Identifier Digital Object Identifier 10.1558/equinox.33690
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; She’s at the Controls
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.) UK,
21st century
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd