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Dublin Core |
PKP Metadata Items |
Metadata for this Document |
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1. |
Title |
Title of document |
The New Epic: Ultraviolence, Comic Books, and CGI - Representations of Antiquity in Film |
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2. |
Creator |
Author's name, affiliation, country |
Kevin McGeough; University of Lethbridge; Canada |
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3. |
Subject |
Discipline(s) |
History; Archaeology; Film Studies |
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4. |
Subject |
Keyword(s) |
history in film; representation of ancient world in film; cinematic presentation; historical film; epic film; representation of the past; |
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5. |
Subject |
Subject classification |
History; Archaeology; Film Studies |
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6. |
Description |
Abstract |
Chapter 9 discusses how the treatment of the ancient world has been transformed through the advent of CGI technology and the acceptance of ultraviolent aesthetics. It deals with the most controversial films of the past thirty years, such as The Last Temptation of Christ, The Passion of the Christ, Alexander, 300, and Apocalypto. It also looks at why Gladiator was such a success in relation to others that have not been as well received, like Troy. |
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7. |
Publisher |
Organizing agency, location |
Equinox Publishing Ltd |
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8. |
Contributor |
Sponsor(s) |
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9. |
Date |
(YYYY-MM-DD) |
22-Jun-2022 |
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10. |
Type |
Status & genre |
Peer-reviewed Article |
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11. |
Type |
Type |
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12. |
Format |
File format |
PDF |
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13. |
Identifier |
Uniform Resource Identifier |
https://journals.equinoxpub.com/index.php/books/article/view/39767 |
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14. |
Identifier |
Digital Object Identifier |
10.1558/equinox.39767 |
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15. |
Source |
Journal/conference title; vol., no. (year) |
Equinox eBooks Publishing; Representations of Antiquity in Film |
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16. |
Language |
English=en |
en |
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18. |
Coverage |
Geo-spatial location, chronological period, research sample (gender, age, etc.) |
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19. |
Rights |
Copyright and permissions |
Copyright 2014 Equinox Publishing Ltd |