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Dublin Core |
PKP Metadata Items |
Metadata for this Document |
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1. |
Title |
Title of document |
"A Good Fake or a Bad Fake"? - Fabricating Authenticity |
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2. |
Creator |
Author's name, affiliation, country |
Andie Alexander; Emory University; United States |
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3. |
Subject |
Discipline(s) |
Religious Studies |
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4. |
Subject |
Keyword(s) |
Christianity; individualism; contemporary religion and politics; religion and culture; racism; socially contested; identity formation; |
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5. |
Subject |
Subject classification |
Religious Studies; Religion and Culture |
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6. |
Description |
Abstract |
In this chapter, Alexander complicates notions of authenticity as they pertain to the world of art, art conservation and preservation, and art forgeries. Comparing two relatively recent examples of art restoration, she explores what’s at stake in achieving an “authentic” restoration that maintains what is claimed to be the “intention” of the artist. Working through these examples, Alexander considers how and when the rhetoric of authenticity is employed and explores how such claims are often linked to the purported value of the artwork rather than the “authentic” quality of the piece. |
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7. |
Publisher |
Organizing agency, location |
Equinox Publishing Ltd |
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8. |
Contributor |
Sponsor(s) |
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9. |
Date |
(YYYY-MM-DD) |
01-Aug-2024 |
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10. |
Type |
Status & genre |
Peer-reviewed Article |
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11. |
Type |
Type |
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12. |
Format |
File format |
PDF |
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13. |
Identifier |
Uniform Resource Identifier |
https://journals.equinoxpub.com/index.php/books/article/view/40280 |
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14. |
Identifier |
Digital Object Identifier |
10.1558/equinox.40280 |
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15. |
Source |
Journal/conference title; vol., no. (year) |
Equinox eBooks Publishing; Fabricating Authenticity |
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16. |
Language |
English=en |
en |
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18. |
Coverage |
Geo-spatial location, chronological period, research sample (gender, age, etc.) |
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19. |
Rights |
Copyright and permissions |
Copyright 2014 Equinox Publishing Ltd |