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From Boogie-Woogie to Bop


 
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1. Title Title of document From Boogie-Woogie to Bop - Kansas City Jazz
 
2. Creator Author's name, affiliation, country Con Chapman; Music writer;
 
3. Subject Discipline(s) Popular Music
 
4. Subject Keyword(s) Kansas City; Kansas City jazz; African-American music; Lester Young; Charlie Parker; The Blue Devils; Bennie Moten; Coleman Hawkins; Ben Webster; Don Byas; Andy Kirk; Harlan Leonard; Jay McShann
 
5. Subject Subject classification Jazz; American Jazz
 
6. Description Abstract Two distinct styles on the tenor saxophone developed out of the Southwest; the first, a harsh, gruff approach favored by tenors such as Herschel Evans, was the musical progeny of Coleman Hawkins, the first great jazz tensor saxophonist. The other, lighter in tone, was the creation of Lester Young, a native of New Orleans who traveled extensively in his youth throughout the west and southwest as a member of his family’s band. Basie would play the two styles off against each other in “tenor” battles when Evans and Young were members of his band, and Young’s style would serve as the model for Charlie Parker on alto sax that would bring the development of Kansas City jazz to a close with the emergence of bebop.
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 20-Mar-2023
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/index.php/books/article/view/42622
 
14. Identifier Digital Object Identifier 10.1558/equinox.42622
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Kansas City Jazz
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.) US Midwest,
twentieth century
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd