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From the Arthouse to the Grindhouse: The Ancient Epic Subverted


 
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1. Title Title of document From the Arthouse to the Grindhouse: The Ancient Epic Subverted - Representations of Antiquity in Film
 
2. Creator Author's name, affiliation, country Kevin McGeough; University of Lethbridge; Canada
 
3. Subject Discipline(s) History; Archaeology; Film Studies
 
4. Subject Keyword(s) history in film; representation of ancient world in film; cinematic presentation; historical film; epic film; representation of the past;
 
5. Subject Subject classification History; Archaeology; Film Studies
 
6. Description Abstract This chapter looks at darker treatments of the ancient world, such as Fellini’s Satyricon and the brief but pivotal moments where the ancient world is depicted in A Clockwork Orange. The central role that the ancient world plays in the short films of Kenneth Anger provides a window into how independent cinema can perpetuate alternative and esoteric interpretations of the past. The chapter then goes on to discuss the depiction of the ancient world in grindhouse and exploitation cinema and concludes with a discussion of how the television series I, Claudius reflects a type of anti-spectacle.
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 22-Jun-2022
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/index.php/books/article/view/42928
 
14. Identifier Digital Object Identifier 10.1558/equinox.42928
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Representations of Antiquity in Film
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.)
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd