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Dublin Core |
PKP Metadata Items |
Metadata for this Document |
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1. |
Title |
Title of document |
From the Arthouse to the Grindhouse: The Ancient Epic Subverted - Representations of Antiquity in Film |
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2. |
Creator |
Author's name, affiliation, country |
Kevin McGeough; University of Lethbridge; Canada |
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3. |
Subject |
Discipline(s) |
History; Archaeology; Film Studies |
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4. |
Subject |
Keyword(s) |
history in film; representation of ancient world in film; cinematic presentation; historical film; epic film; representation of the past; |
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5. |
Subject |
Subject classification |
History; Archaeology; Film Studies |
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6. |
Description |
Abstract |
This chapter looks at darker treatments of the ancient world, such as Fellini’s Satyricon and the brief but pivotal moments where the ancient world is depicted in A Clockwork Orange. The central role that the ancient world plays in the short films of Kenneth Anger provides a window into how independent cinema can perpetuate alternative and esoteric interpretations of the past. The chapter then goes on to discuss the depiction of the ancient world in grindhouse and exploitation cinema and concludes with a discussion of how the television series I, Claudius reflects a type of anti-spectacle. |
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7. |
Publisher |
Organizing agency, location |
Equinox Publishing Ltd |
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8. |
Contributor |
Sponsor(s) |
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9. |
Date |
(YYYY-MM-DD) |
22-Jun-2022 |
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10. |
Type |
Status & genre |
Peer-reviewed Article |
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11. |
Type |
Type |
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12. |
Format |
File format |
PDF |
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13. |
Identifier |
Uniform Resource Identifier |
https://journals.equinoxpub.com/index.php/books/article/view/42928 |
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14. |
Identifier |
Digital Object Identifier |
10.1558/equinox.42928 |
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15. |
Source |
Journal/conference title; vol., no. (year) |
Equinox eBooks Publishing; Representations of Antiquity in Film |
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16. |
Language |
English=en |
en |
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18. |
Coverage |
Geo-spatial location, chronological period, research sample (gender, age, etc.) |
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19. |
Rights |
Copyright and permissions |
Copyright 2014 Equinox Publishing Ltd |