11. Interlude 2: The Beatles, Interpretation and Influence
| Dublin Core | PKP Metadata Items | Metadata for this Document | |
| 1. | Title | Title of document | 11. Interlude 2: The Beatles, Interpretation and Influence - The Beatles in Perspective |
| 2. | Creator | Author's name, affiliation, country | Russell Reising; University of Toledo; |
| 2. | Creator | Author's name, affiliation, country | Peter Mills; United Kingdom |
| 2. | Creator | Author's name, affiliation, country | James McGrath; Leeds Metropolitan University; United Kingdom |
| 3. | Subject | Discipline(s) | music |
| 4. | Subject | Keyword(s) | The Beatles; music icons; popular music; 1960s; Liverpool music scene; music industry; recording industry; film music; popular culture; music peformance |
| 6. | Description | Abstract | The second of the three interludes reflects upon the role of the listener and viewer in perceiving and frequently creating frameworks of interpretation and meaning. Special attention is given to the idea of the avant-garde within the structures of the popular musical form. |
| 7. | Publisher | Organizing agency, location | Equinox Publishing Ltd |
| 8. | Contributor | Sponsor(s) | |
| 9. | Date | (YYYY-MM-DD) | 25-Jul-2023 |
| 10. | Type | Status & genre | Peer-reviewed Article |
| 11. | Type | Type | |
| 12. | Format | File format | |
| 13. | Identifier | Uniform Resource Identifier | https://journals.equinoxpub.com/index.php/books/article/view/43624 |
| 14. | Identifier | Digital Object Identifier | 10.1558/equinox.43624 |
| 15. | Source | Journal/conference title; vol., no. (year) | Equinox eBooks Publishing; The Beatles in Perspective |
| 16. | Language | English=en | En |
| 18. | Coverage | Geo-spatial location, chronological period, research sample (gender, age, etc.) |
Liverpool; United Kingdom; Global, 1960s; contemporary |
| 19. | Rights | Copyright and permissions | Copyright 2014 Equinox Publishing Ltd |