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5. Opéra, chamber music, and more songs in the Second Republic


 
Dublin Core PKP Metadata Items Metadata for this Document
 
1. Title Title of document 5. Opéra, chamber music, and more songs in the Second Republic - Les Parisiennes
 
2. Creator Author's name, affiliation, country Diana Ambache; Musician and scholar;
 
3. Subject Discipline(s) Popular Music
 
4. Subject Keyword(s) composer; women in music; music in France; French composers; 19th century European music; French history; French Revolution; Isabelle de Charrière; Hélène de Montgeroult; Augusta Holmès; Louise Bertin; Julie Candeille; Louise Farrenc; Pauline Viardot
 
5. Subject Subject classification Composers; Women in Music; Music in France; French History
 
6. Description Abstract The success of Farrenc’s Nonet in E flat, op 38, in 1849, brought her equal pay as a Professor at the Paris Conservatoire. She wrote her Violin Sonata in A, op 39, in 1850, and went on to write the first Sextet for piano and wind in 1852. Two Piano Trios followed a couple of years later. There was some rivalry between the opera divas Giulia Grisi and Pauline Viardot (1821-1910). That year Viardot met Gounod in Rome, which led to his composing the opera Sappho for her in 1851.
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 01-Oct-2024
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/index.php/books/article/view/44472
 
14. Identifier Digital Object Identifier 10.1558/equinox.44472
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Les Parisiennes
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.) France,
19th century
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd