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| Dublin Core |
PKP Metadata Items |
Metadata for this Document |
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| 1. |
Title |
Title of document |
It’s All Over Town - Dancehalls, Glitterballs and DJs |
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| 2. |
Creator |
Author's name, affiliation, country |
Bruce Lindsay; Music Journalist and Social Historian; |
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| 3. |
Subject |
Discipline(s) |
Popular Music |
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| 4. |
Subject |
Keyword(s) |
disco music; British culture; British music; British disco; disc jockey; music history; dancing; popular music; music culture |
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| 5. |
Subject |
Subject classification |
disco music; British culture; British music |
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| 6. |
Description |
Abstract |
The 1960s heralded a promise of a better life for people in Britain, thanks to the white heat of technology. Rock and roll lost much of its impetus but there was plenty of new music for dancing. The nightclubs of London’s West End seemed impossibly glamorous, but teenaged workers and schoolkids began to look elsewhere for inspiration about what to wear, what to listen to and how to dance. Much of this inspiration came from the USA. Rock and Roll may have faded, but American pop, soul and rhythm and blues records began to hit the British charts. Chubby Checker, an American singer, extolled the virtues of ‘twisting’ and suggested that teenagers twist again, but most British teens would be twisting for the first time. No partner was necessary before stepping on the dance floor, no complicated moves need be mastered. By 1962, a new London nightspot was called La Discotheque. La Discotheque was just the beginning. Two or three years later, London boasted discotheques such as Dolly’s, Scotch of St James’s and the Cromwellian Club and provincial cities and towns soon followed suit with clubs like Samson and Delilah’s, Club America – established to attract US service personnel on their days off – and the Blue Nile. Discos, at first promoted as exclusive new places for the nation’s hippest and most glamorous crowd, soon lost that sheen of faux-glamour and opened up to teens and twenty-somethings of all classes as they spread across Britain. TV and the movies struggled to keep up with these new musical trends, but soon scored hits with Ready, Steady, Go!, Top of the Pops and A Hard Day’s Night. |
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| 7. |
Publisher |
Organizing agency, location |
Equinox Publishing Ltd |
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| 8. |
Contributor |
Sponsor(s) |
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| 9. |
Date |
(YYYY-MM-DD) |
01-Feb-2025 |
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| 10. |
Type |
Status & genre |
Peer-reviewed Article |
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| 11. |
Type |
Type |
|
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| 12. |
Format |
File format |
PDF |
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| 13. |
Identifier |
Uniform Resource Identifier |
https://journals.equinoxpub.com/index.php/books/article/view/44956 |
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| 14. |
Identifier |
Digital Object Identifier |
10.1558/equinox.44956 |
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| 15. |
Source |
Journal/conference title; vol., no. (year) |
Equinox eBooks Publishing; Dancehalls, Glitterballs and DJs |
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| 16. |
Language |
English=en |
en |
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| 18. |
Coverage |
Geo-spatial location, chronological period, research sample (gender, age, etc.) |
UK |
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| 19. |
Rights |
Copyright and permissions |
Copyright 2014 Equinox Publishing Ltd |