God / Terror
Ethics and Aesthetics in Contexts of Conflict and Reconciliation
Volker Küster [+–]
Johannes Gutenberg-Universität Mainz
Korea (1982-1990); 1990-1997 lecturer at the Theological Faculty, University of Heidelberg, 1994 Dissertation, 1998 Habilitation, ordained as minister 1999; research fellow Theological University Kampen 1999-2001 and researcher IIMO, University of Utrecht 2001-2002; 2002-2012 Professor of Cross-cultural Theology, Protestant Theological University, Kampen, The Netherlands; since Oct. 2012, Professor of Comparative Religion and Missiology, Johannes Gutenberg-Universität Mainz, Germany.
Prof. Küster explores the interconfessional, intercultural and interreligious dimensions of Christian faith by employing methods such as hermeneutics, aesthetics, communication theory, postcolonial critic and globalization theory. Perspectives of culture, religion, race, class, gender and inclusion intersect in this multi-axial approach. His research in contextual and intercultural theology evolves along two lines: dialog, conflict and reconciliation and visual art and religion.
He is the author of: Theologie im Kontext. Zugleich ein Versuch über die Minjung-Theologie, 1995; Jesus und das Volk im Markusevangelium. Ein Beitrag zum interkulturellen Gespräch in der Exegese, 1996 (Korean 2006); The Many Faces of Jesus Christ, 2001 (German 1999; Dutch 2012; Indonesian 2014); God/Terreur. Een Tweeluik, 2008 (German 2009); A Protestant Theology of Passion. Korean Minjung Theology revisited, 2010; Einleitung in die Interkulturelle Theologie, 2011;Zwischen Pancasila und Fundamentalismus. Christliche Kunst in Indonesien, 2016. Series Editor: contact/zone. Explorations in Intercultural Theology (EVA Leipzig); Theologische Interventionen (Kohlhammer Stuttgart).
In late modernity theology has to perform an aesthetic turn, if it wants to break out of its current isolation. Theologians cannot limit themselves to biblical texts and Christian tradition as a frame of reference but also have to search for traces of God’s presence in cultures and religions. God/Terror addresses the quest for God in the context of oppression, violence and terror from an aesthetic perspective. It looks at how artists and writers approach the relationship between God and Terror. Statements such as that from composer Karl Heinz Stockhausen: “9/11 was the greatest work of art ever” or from South African writer Adam Small: “Only literature can perform the miracle of reconciliation” – are occasions to reflect again about the relationship between ethics and aesthetics, theology and the arts. As in a medieval diptych, the theme is mirroring god talk in memory of 9/11 and in the context of political conflicts in Germany, South Korea and South Africa.
Table of Contents
Prelims – Prologue
I. Terror, War and Violence: God Talk in Memory of September 11, 2001
II. Guilt, Reconciliation and Grace: God Talk in the Context of Political Conflicts in Germany, S Korea & S Africa
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