Canadian-American singer-songwriter Rufus Wainwright is famous around the world for his multi-faceted musical style, shown through both his recorded output and his engaging live performances. In this book, Katherine Williams combines aspects of his life story with scholarly readings drawn from several methodologies. Popular music studies, opera, queer studies, music and geography, the sound-box: all combine to give a rich biographical and interpretative overview of Wainwright’s life and music. Williams brings together close musical analysis and varied disciplinary perspectives with a tone that is both in-depth and scholarly, and accessible. The book is a must-read for fans, students and scholars alike. More details about Rufus Wainwright can be found at Williams’ recent blogpost on the Thinking About Music website.

Canadian-American singer-songwriter Rufus Wainwright is famous around the world for his multi-faceted musical style, shown through both his recorded output and his engaging live performances. In this book, Katherine Williams combines aspects of his life story with scholarly readings drawn from several methodologies. Popular music studies, opera, queer studies, music and geography, the sound-box: all combine to give a rich biographical and interpretative overview of Wainwright’s life and music. Williams brings together close musical analysis and varied disciplinary perspectives with a tone that is both in-depth and scholarly, and accessible. The book is a must-read for fans, students and scholars alike. More details about Rufus Wainwright can be found at Williams’ recent blogpost on the Thinking About Music website.

Canadian-American singer-songwriter Rufus Wainwright (b. 1973) is famous around the world for his engaging live performances and multi-faceted musical style. Katherine Williams uses several aspects of his musical style persona, and biography as springboards from which to discuss and interrogate musicological and analytical frameworks. A primary theme is the interplay between popular music and Western Art Music: one of Williams’ primary aims in Rufus Wainwright is to show that different techniques of analysing music from a popular musicology standpoint are a valuable contribution to the wider musicological discipline, and conversely that the application of theories from traditional musicology can shed light on popular song. More details about Rufus Wainwright can be found at Williams’ recent blogpost on Thinking About Music, available here .

Most of Rufus Wainwright’s songs contain an autobiographical element. When his subject is his family, he continues a long-established tradition. His father, folk singer Loudon Wainwright III and mother Kate McGarrigle, as well as sister Martha Wainwright have all expressed their relationships publicly through song—and in this chapter, I analyse songs that explain these relationships from Rufus’s perspective. Case studies include ‘Beauty Mark’, ‘Little Sister’, ‘Dinner At Eight’, and ‘Want’. More details about Rufus Wainwright can be found at Williams’ recent blogpost on Thinking About Music, available here .

This chapter evaluates the co-existence and inherent tensions between the Western Art Music and popular music worlds in Wainwright’s music and life, using musicological perspectives from both disciplines. I consider Wainwright’s experiences of and attitudes towards music education, and the songwriting technique that he has developed. Songs analysed include ‘Imaginary Love’ and ‘Pretty Things’, and the second half of the chapter is an exploration of his western art music projects: Yellow Lounge, Sonnette, and his 2009 opera Prima Donna. More details about Rufus Wainwright can be found at Williams’ recent blogpost on Thinking About Music, available here .

Opera is a persistent and pervasive theme throughout Wainwright’s pop songs and western art music projects. Wainwright explicitly connects his discovery of opera with his emerging homosexuality in his teens. In Chapter 3, I draw on multiple methodologies to nuance this connection, considering perspectives from new musicology, literature and philosophy. Songs considered include ‘Damned Ladies’, ‘Barcelona’, ‘Going To A Town’, ‘Greek Song’ and ‘Vibrate’. More details about Rufus Wainwright can be found at Williams’ recent blogpost on Thinking About Music, available here .

Evocations of place and space play an important role in Rufus Wainwright’s music. I draw on recent scholarship on music and geography (e.g. Cohen, Krims) to theorise the significance of geographical references in Wainwright’s music, considering music scenes, regional styles associated with particular places (with an extended analysis of ‘The Art Teacher’), and lyrical reference to specific locations. This chapter ends with a detailed proxemic reading (Moore and Dockwray) of ‘Candles’. More details about Rufus Wainwright can be found at Williams’ recent blogpost on Thinking About Music, available here .

In Chapter 5, I consider extramusical readings of the tonal shade and mix placement of Wainwright’s voice. By adapting another of Moore and Dockwray’s methods (the soundbox), I analyse the placement of the voice in the mix, and depict it visually. I combine these soundbox analyses with psychoanalytical readings of the ego, suggesting how Wainwright’s voice, autobiography, and sense of self work together. More details about Rufus Wainwright can be found at Williams’ recent blogpost on Thinking About Music, available here .

Canadian-American singer-songwriter Rufus Wainwright (b. 1973) is famous around the world for his engaging live performances and multi-faceted musical style. Katherine Williams uses several aspects of his musical style persona, and biography as springboards from which to discuss and interrogate musicological and analytical frameworks. A primary theme is the interplay between popular music and Western Art Music: one of Williams’ primary aims in Rufus Wainwright is to show that different techniques of analysing music from a popular musicology standpoint are a valuable contribution to the wider musicological discipline, and conversely that the application of theories from traditional musicology can shed light on popular song. More details about Rufus Wainwright can be found at Williams’ recent blogpost on Thinking About Music, available here .

Canadian-American singer-songwriter Rufus Wainwright is famous around the world for his multi-faceted musical style, shown through both his recorded output and his engaging live performances. In this book, Katherine Williams combines aspects of his life story with scholarly readings drawn from several methodologies. Popular music studies, opera, queer studies, music and geography, the sound-box: all combine to give a rich biographical and interpretative overview of Wainwright’s life and music. Williams brings together close musical analysis and varied disciplinary perspectives with a tone that is both in-depth and scholarly, and accessible. The book is a must-read for fans, students and scholars alike. More details about Rufus Wainwright can be found at Williams’ recent blogpost on the Thinking About Music website.

Canadian-American singer-songwriter Rufus Wainwright is famous around the world for his multi-faceted musical style, shown through both his recorded output and his engaging live performances. In this book, Katherine Williams combines aspects of his life story with scholarly readings drawn from several methodologies. Popular music studies, opera, queer studies, music and geography, the sound-box: all combine to give a rich biographical and interpretative overview of Wainwright’s life and music. Williams brings together close musical analysis and varied disciplinary perspectives with a tone that is both in-depth and scholarly, and accessible. The book is a must-read for fans, students and scholars alike. More details about Rufus Wainwright can be found at Williams’ recent blogpost on the Thinking About Music website.

Canadian-American singer-songwriter Rufus Wainwright is famous around the world for his multi-faceted musical style, shown through both his recorded output and his engaging live performances. In this book, Katherine Williams combines aspects of his life story with scholarly readings drawn from several methodologies. Popular music studies, opera, queer studies, music and geography, the sound-box: all combine to give a rich biographical and interpretative overview of Wainwright’s life and music. Williams brings together close musical analysis and varied disciplinary perspectives with a tone that is both in-depth and scholarly, and accessible. The book is a must-read for fans, students and scholars alike. More details about Rufus Wainwright can be found at Williams’ recent blogpost on the Thinking About Music website.