Terror Tracks - Music, Sound and Horror Cinema - Philip Hayward

Terror Tracks - Music, Sound and Horror Cinema - Philip Hayward

Psycho-Analysis: Form and Function in Bernard Herrmann'’s Music for Hitchcock’'s Masterpiece

Terror Tracks - Music, Sound and Horror Cinema - Philip Hayward

James Wierzbicki [+-]
University of Michigan
James Wierzbicki is a musicologist who teaches at the University of Michigan and serves as executive editor of the MUSA (Music of the United States of America) series of scholarly editions.

Description

Psycho is probably the most closely and most seriously scrutinized film ever made. This chapter offers detailed analyses of the relationship between image, sound and music in the film as a whole and in the famous shower scene, in particular.

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Citation

Wierzbicki, James. Psycho-Analysis: Form and Function in Bernard Herrmann'’s Music for Hitchcock’'s Masterpiece. Terror Tracks - Music, Sound and Horror Cinema. Equinox eBooks Publishing, United Kingdom. p. 14 - 46 Jul 2009. ISBN 9781845532024. https://www.equinoxpub.com/home/view-chapter/?id=19121. Date accessed: 28 Mar 2024 doi: 10.1558/equinox.19121. Jul 2009

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