Movies, Moves and Music - The Sonic World of Dance Films - Mark Evans

Movies, Moves and Music - The Sonic World of Dance Films - Mark Evans

Across the Universe and Nostalgia: Re-presenting the Beatles Through Moving Images and Dancing Bodies

Movies, Moves and Music - The Sonic World of Dance Films - Mark Evans

Colleen Dunagan [+-]
California State University Long Beach
Colleen Dunagan is an Associate Professor of Dance at California State University Long Beach. Her writing about dance in television advertising and film has appeared in Dance Research Journal and The International Journal of Arts in Society. She has contributed to The Oxford Handbook of Dance and the Popular Screen (with Roxane Fenton) and The Oxford Handbook of Dance and Theatre. Her current book manuscript examines the discourse of dance within television advertising.
Roxane Fenton [+-]
Independent Scholar
Roxane Fenton received her Ph.D. from the University of California Riverside. Her other work on dance films has appeared in The Oxford Handbook of Dance and the Popular Screen (with Colleen Dunagan). She is a member of the dance editorial advisory board for the Routledge Encyclopedia of Modernism, and she has taught dance history and appreciation at a number of colleges and universities.

Description

In her 2007 film Across the Universe, director Julie Taymor combines a simple narrative of youthful love with a complex layering of visual and aural elements. The sophisticated interplay among the music of the Beatles, film work (camera and editing), dance, and other visual elements makes the film a rich site for the investigation of ways in which movement, music, and movie making work together. Through close readings of several songs/scenes from the movie, we argue that the merging of sound and image in Across the Universe activates nostalgia (both for the U.S. in the 1960s and for the mythology of the Beatles) in order to create a visual and aural tribute to the philosophical outlook conveyed in the Beatles catalogue. Or, to put it differently, the film argues that the pop music of the Beatles (a commercialised and commodified form) offers larger philosophical lessons relevant to American history. It suggests that love, both romantic and within a community of friends, provides an answer both to the turbulence of the 1960s and the unsettled world of the post-9/11 era of the film’s release.

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Citation

Dunagan, Colleen; Fenton, Roxane. Across the Universe and Nostalgia: Re-presenting the Beatles Through Moving Images and Dancing Bodies. Movies, Moves and Music - The Sonic World of Dance Films. Equinox eBooks Publishing, United Kingdom. p. 184-206 Jan 2016. ISBN 9781845539580. https://www.equinoxpub.com/home/view-chapter/?id=27436. Date accessed: 20 Apr 2024 doi: 10.1558/equinox.27436. Jan 2016

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