Creativity and Discovery in the University Writing Class - A Teacher's Guide - Alice Chik

Creativity and Discovery in the University Writing Class - A Teacher's Guide - Alice Chik

4. Writing Creativity and Discovery: Process and Pedagogy

Creativity and Discovery in the University Writing Class - A Teacher's Guide - Alice Chik

Martha C. Pennington [+-]
Birkbeck University of London
Martha C Pennington is a Research Fellow in Applied Linguistics and Communication at Birkbeck University of London. She holds a PhD in Linguistics from the University of Pennsylvania, where she became a tenured Lecturer teaching English to international students while completing her degree. She has also held Professorial and administrative posts at the University of California at Santa Barbara, the University of Hawaii at Manoa, the City University of Hong Kong, the University of Bedfordshire, Elizabethtown College, and the School for African and Oriental Studies of the University of London. She previously edited a column for Gendai Eigo Kyoiku (Modern English Teaching) and was editor-in-chief of Writing & Pedagogy. She is currently editor of the book series Innovation and Leadership in English Language Teaching (Brill, formerly Elsevier), Frameworks for Writing (Equinox), and Applied Phonology and Pronunciation Teaching (Equinox). Pennington’s books on pronunciation are Phonology in English Language Teaching: An International Approach(Longman), Phonology in Context (Palgrave Macmillan), and (with P Rogerson-Revell) English Pronunciation Teaching and Research: Contemporary Perspectives (Palgrave Macmillan). She has published articles on the teaching of pronunciation in edited collections and in TESOL Quarterly, The Modern Language Journal, and RELC Journal, and has guest-edited a special issue (52.1) of RELC Journal on Pronunciation Teaching.

Description

In this chapter, I explore commonalities as well as differences between creative writing and the kind of writing we think of as non-creative, and then draw implications for pedagogy related to writing of the second kind. I will especially have in mind the kind of writing taught in university classes – typically, academic essays or research papers. A central point is that creativity and discovery are at the heart of writing and, moreover, that discovery is part of the creative process. Other key points are that creativity and discovery are forces in all human beings and can be enhanced through teaching. These are important notions for education and specifically for writing pedagogy. The discussion is divided into four parts: First, I briefly describe creativity in written language starting from a framework developed by Sky Marsen (Marsen, 2012). Then, I present some creative content in the form of a one-paragraph example of scholarly essay-type (expository or analytical) writing and describe some of the different kinds of creativity it exhibits. On the basis of this examination, I make some reflections on the nature of writing and compare literary writing that is normally classified as creative with academic writing. In the final section, I make observations and then suggestions regarding the teaching of writing that emerge from the earlier parts of the discussion.

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Citation

Pennington, Martha. 4. Writing Creativity and Discovery: Process and Pedagogy. Creativity and Discovery in the University Writing Class - A Teacher's Guide. Equinox eBooks Publishing, United Kingdom. p. 61-92 Jul 2015. ISBN 9781781791066. https://www.equinoxpub.com/home/view-chapter/?id=27769. Date accessed: 18 Apr 2024 doi: 10.1558/equinox.27769. Jul 2015

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