The Singing Voice in Contemporary Cinema - Diane Hughes

The Singing Voice in Contemporary Cinema - Diane Hughes

Find Your Voice: Narratives of Women’s Voice Loss in American Cinema

The Singing Voice in Contemporary Cinema - Diane Hughes

Katherine Meizel [+-]
Bowling Green State University
Katherine Meizel is an Associate Professor of Ethnomusicology at Bowling Green State University in Ohio. She earned her Ph.D. in ethnomusicology at UCSB, and also holds a doctorate in vocal performance. Her research includes topics in voice and identity, popular music and media, religion, American identities, and disability studies. Her book Idolized: Music, Media, and Identity in American Idol (IU Press) was published in 2011; she also wrote about Idol for the magazine Slate from 2007 to 2011. She is currently co-editing the forthcoming Oxford Handbook of Voice Studies, and completing a monograph for Oxford University Press titled Multivocality: An Ethnography of Singing on the Borders of Identity.

Description

This volume focuses on the singing voice in contemporary cinema from 1945 to the present day, and rather than being restricted to one particular genre, considers how the singing voice has helped define and/or confuse genre classification. Typically heard in song, the singing voice is arguably the most expressive of all musical instruments. This volume celebrates the ways in which singing features in film. This includes the singing voice as protagonist, as narrator, as communicator, as entertainer, and as comedic interlude. Whether the singing voice in film is personally expressive, reflexive and distant, or synchronized for entertainment, there is typically interplay between the voice and visual elements. Extending beyond the body of literature on ‘the musical’, the volume is not about musicals per se. Rather, The Singing Voice in Contemporary Cinema discusses the singing voice as a distinct genre that focuses on the conceptualization and synchronization of the singing voice in the post-War era. It explores the relationship between screen, singing, singer and song; it celebrates the intersection of the singing voice and popular culture. In doing so, the volume will cross multiple disciplines including vocal studies, film studies, film sound studies, and music production (vocal processing).

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Citation

Meizel, Katherine. Find Your Voice: Narratives of Women’s Voice Loss in American Cinema. The Singing Voice in Contemporary Cinema. Equinox eBooks Publishing, United Kingdom. Mar 2020. ISBN 9781781791127. https://www.equinoxpub.com/home/view-chapter/?id=35460. Date accessed: 17 Jun 2019 doi: 10.1558/equinox.35460. Mar 2020

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