The Singing Voice in Contemporary Cinema - Diane Hughes

The Singing Voice in Contemporary Cinema - Diane Hughes

The Female Singing Voice: Gospel, Blues, Epic Stories and Animation

The Singing Voice in Contemporary Cinema - Diane Hughes

Anne Power [+-]
Western Sydney University
Associate Professor Anne Power’s research interests include music education, research methods, and leadership qualities that emerge through service learning. Her work with service learning and disadvantaged students, especially in First Nations communities, converges with themes of creativity. Anne has written on contemporary Australian opera, on approaches to singing in snapshots of Australian contexts, on developing a pedagogy for the voice across the K-10 curriculum, and she is an advocate for care of the voice in music education.


This volume focuses on the singing voice in contemporary cinema from 1945 to the present day, and rather than being restricted to one particular genre, considers how the singing voice has helped define and/or confuse genre classification. Typically heard in song, the singing voice is arguably the most expressive of all musical instruments. This volume celebrates the ways in which singing features in film. This includes the singing voice as protagonist, as narrator, as communicator, as entertainer, and as comedic interlude. Whether the singing voice in film is personally expressive, reflexive and distant, or synchronized for entertainment, there is typically interplay between the voice and visual elements. Extending beyond the body of literature on ‘the musical’, the volume is not about musicals per se. Rather, The Singing Voice in Contemporary Cinema discusses the singing voice as a distinct genre that focuses on the conceptualization and synchronization of the singing voice in the post-War era. It explores the relationship between screen, singing, singer and song; it celebrates the intersection of the singing voice and popular culture. In doing so, the volume will cross multiple disciplines including vocal studies, film studies, film sound studies, and music production (vocal processing).

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Power, Anne . The Female Singing Voice: Gospel, Blues, Epic Stories and Animation. The Singing Voice in Contemporary Cinema. Equinox eBooks Publishing, United Kingdom. p. Feb 2021. ISBN 9781781791127. Date accessed: 26 Feb 2020 doi: 10.1558/equinox.35461. Feb 2021

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