Contextual and Musical Aspects of Performances in Turkey and Ghent

Türkü and Halay between Gent and Turkey - Turkish Folk Music in a Transnational Context - Liselotte Sels

Liselotte Sels [+-]
AP University College Antwerp
Liselotte Sels is a researcher and research coordinator at AP University College Antwerp. She received her PhD in Art Science from Ghent University in 2014. In 2015, she worked as a postdoctoral visiting researcher at UC Santa Barbara, supported by a BAEF fellowship. Recent publications include the book chapter “Mixing Multiple Tracks: Migration, Diaspora and Transcultural Music in Flanders” in Made in the Low Countries (Routledge, 2017) and the article “EMRUZ | Nieuwe muziek in Iran” in FORUM+ (2018). Liselotte is active as a harpsichordist, (forte)pianist, and continuo player.

Description

Chapter 6 zooms in on different contextual and musical aspects of the whole series of forty-six attended events, in order to apprehend some of the properties, commonalities, and differences of the performance of Turkish folk music in the motherland and the diaspora, in a systematic way. The following aspects structured the observation and guided the subsequent analysis: kind of event / use, occasion, set-up, financing, time, place, commissioners, listeners, performers, programme, repertoire, line-up, way of creation, performance quality, and performance style.

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Citation

Sels, Liselotte. Contextual and Musical Aspects of Performances in Turkey and Ghent. Türkü and Halay between Gent and Turkey - Turkish Folk Music in a Transnational Context. Equinox eBooks Publishing, United Kingdom. p. Feb 2021. ISBN 9781781799499. https://www.equinoxpub.com/home/view-chapter/?id=39622. Date accessed: 21 Sep 2019 doi: 10.1558/equinox.39622. Feb 2021

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