Case Study of a Song: Hüdayda

Türkü and Halay between Gent and Turkey - Turkish Folk Music in a Transnational Context - Liselotte Sels

Liselotte Sels [+-]
AP University College Antwerp
Liselotte Sels is a researcher and research coordinator at AP University College Antwerp. She received her PhD in Art Science from Ghent University in 2014. In 2015, she worked as a postdoctoral visiting researcher at UC Santa Barbara, supported by a BAEF fellowship. Recent publications include the book chapter “Mixing Multiple Tracks: Migration, Diaspora and Transcultural Music in Flanders” in Made in the Low Countries (Routledge, 2017) and the article “EMRUZ | Nieuwe muziek in Iran” in FORUM+ (2018). Liselotte is active as a harpsichordist, (forte)pianist, and continuo player.

Description

Chapter 7 further illustrates the traditional, academic, and popularized performance styles introduced in chapter 6, by juxtaposing different manifestations of popular dance song Hüdayda. The TRT version is compared to four concrete instances encountered during the fieldwork in Turkey, thereby analysing aspects such as tempo, intervallic structure, form, and style. As in the previous chapter, the performance styles are elucidated by transcriptions in music notation.

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Citation

Sels, Liselotte. Case Study of a Song: Hüdayda. Türkü and Halay between Gent and Turkey - Turkish Folk Music in a Transnational Context. Equinox eBooks Publishing, United Kingdom. p. Feb 2021. ISBN 9781781799499. https://www.equinoxpub.com/home/view-chapter/?id=39623. Date accessed: 16 Dec 2019 doi: 10.1558/equinox.39623. Feb 2021

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