Representations of Antiquity in Film - From Griffith to Grindhouse - Kevin M. McGeough
Evil Seductresses, Feisty Housewives, and the Temptation of Victor Mature
Representations of Antiquity in Film - From Griffith to Grindhouse - Kevin M. McGeough
Kevin M. McGeough [+]
University of Lethbridge
Kevin M. McGeough is Professor of Archaeology in the Department of Geography & Environment at the University of Lethbridge and holds a Board of Governor’s Research
Chair in Archaeological Theory and Reception. Having excavated in Israel, Turkey, Jordan, Egypt, and Canada, McGeough is currently co-director of excavations at Busayra in Jordan and Head-Smashed-In Buffalo Jump UNESCO World Heritage Site in Canada. He has been the editor of The Annual of ASOR and ASOR’s Archaeological Report Series as well as the chair of ASOR’s publications program. Now co-editor of the Alberta Archaeological Review, he is currently researching the reception of Near
Eastern Archaeology in a variety of media, including a three-volume book on archaeological reception in the Victorian era, The Ancient Near East in the Nineteenth
Century (2015) and a 2025 popular book on the interpretation of the Ark of the
Covenant over the past 2,000 years (Readers of the Lost Ark). His 2022 book on
cinema, Representations of Antiquity in Film: From Griffith to Grindhouse is a treatment of how the ancient world is presented in movies.
Description
Like Chapter 3, Chapter 4 addresses the arguments about the present made in historical films. Specifically, this chapter explores questions of gender as expressed in the epic films of the 1950s and 1960s and deconstructs the heteronormative gender roles that such films reified. It concludes, however, by looking at how those same messages were “queered” by different audiences and how camp readings of these movies offered alternatives to the heteronormativity presumed on screen.