Cultural Mapping and Musical Diversity - Britta Sweers

Cultural Mapping and Musical Diversity - Britta Sweers

List of Figures

Cultural Mapping and Musical Diversity - Britta Sweers

Britta Sweers [+-]
University of Bern
Britta Sweers, Ph.D., is Professor of Cultural Anthropology of Music at the Institute of Musicology (since 2009) and Director of the Center for Global Studies (since 2015) at the University of Bern (Switzerland). She has been President of the European Seminar in Ethnomusicology (ESEM) since 2014. Major publications include Electric Folk: The Changing Face of English Traditional Music (2005), Polyphonie der Kulturen (CD/CD-ROM 2006/8), Grenzgänge – Gender, Race und Class als Wissenskategorien in der Musikwissenschaft (ed.; w. Cornelia Bartsch, 2015). She is co-editor of the European Journal of Musicology and of the Equinox book series Transcultural Music Studies.
Sarah M. Ross [+-]
Hochschule für Musik, Theater und Medien Hannover
Sarah M. Ross is professor of Jewish music studies and director of the European Center for Jewish Music at the Hannover University of Music, Drama, and Media, Germany. She obtained her Ph.D. in 2010 at the University of Music and Theatre Rostock, Germany. She is author of A Season of Singing: Creating Feminist Jewish Music in the United States (Brandeis University Press, 2016) and co-editor of Judaism and Emotion: Texts, Performance, Experience (Peter Lang, 2013) and editor of the book series Jewish Music Studies (Peter Lang). Her main fields of research are Jewish music, ethnomusicological gender studies, and music and sustainability.

Description

'Cultural mapping' has become a central keyword in the UNESCO strategy to protect natural and world cultural heritage, including music traditions. As a tool to increase the awareness of cultural diversity it transforms the concept of intangible cultural heritage to visible items by establishing multi-dimensional profiles of cultures and communities. Cultural mapping has been used as a resource for a variety of purposes as broad as the analysis of conflict points and peace building, adaptation to climate change, sustainability management, as well as heritage debates and management. Music has been playing a significant role in each of these aspects. As this theme has rarely been explored within ethnomusicology, this collection approaches the topic of cultural mapping from four different thematic perspectives: The book starts out with historical and methodological reflections on cultural mapping in ethnomusicology, followed by an exploration on possible relation between nature/ landscape (and definition of such) and music/ sound. How exactly is landscape interrelated with music – and identified (and vice versa)? The second half focuses more specifically on the UNESCO Intangible Cultural Heritage. The articles not only address the broader political framework, but also thematic and geographic case studies of Intangible Cultural Heritage and music, as well as the pro of UNESCO’s endeavours.

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Citation

Sweers, Britta; Ross, Sarah M.. List of Figures. Cultural Mapping and Musical Diversity. Equinox eBooks Publishing, United Kingdom. p. vii-x Feb 2020. ISBN 9781781797594. https://www.equinoxpub.com/home/view-chapter/?id=40455. Date accessed: 22 Oct 2020 doi: 10.1558/equinox.40455. Feb 2020

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