Death Personified in Popular Culture: The Grim Reaper and Sante Muerte

Religion, Death and the Senses - Christina Welch

Andrew Chesnut [+-]
Virginia Commonwealth University
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Dr R. Andrew Chesnut holds the Bishop Walter F. Sullivan Chair in Catholic Studies and is Professor of Religious Studies at Virginia Commonwealth University. A Latin America specialist, Chesnut is the author of numerous articles and books on religion in Latin America, including “Devoted to Death: Santa Muerte, the Skeleton Saint”, and is a leading expert on the Santa Muerte new religious movement. Chesnut is a regular news commentator on religious affairs. He is currently conducting research on material expression of Catholic death culture, such as memento mori and holy relics. 
Kate Kingsbury [+-]
University of British Columbia
Dr Kate Kingsbury obtained her doctorate in anthropology at the University of Oxford. Kingsbury has conducted extensive fieldwork in both Africa and Latin America, specialising in the two titans of religion, Christianity, and Islam in their vernacular forms. Kingsbury is a leading authority on Santa Muerte, being cited in the press, consulted by the media, and writing many peer-reviewed papers on the topic. Her current research examines gender, healing, power and death, as she is doing fieldwork with the female followers of the folk saint of death. She is currently Lecturer and Research Associate at the University of British Columbia.

Description

In the Western world images of death have overwhelming arisen from Medieval European Catholic culture. Death anthropomorphized in the form of a human skeleton first appears in the fourteenth century when the Black Plague sent approximately a third of Europeans to an early grave. In this context emerges the figure of the Grim Reaper, a skeleton wielding a scythe to harvest not wheat but human souls. While the Grim Reaper eventually became the iconic personification of death in the West, other skeletal representations of mortality emerged from Catholic cultures both in Europe and the Americas. In this chapter, we will explore through iconic imagery, the major personifications of death that have been imagined in Catholic cultures and touch upon the gender of death in art and icons. Since Catholic depictions of anthropomorphic death originated in Western Europe, we will first examine the main personifications of mortality there. The Reaper and his female Mediterranean counterpart, la Parca. How did death come to be visualised as a reaper and why in male form in northern countries and female in the Mediterranean? Not long after the emergence of the Reaper, Catholic artists and thespians began to depict death in similar skeletal form but with bare bones. La Danse Macabre appeared in the visual arts and morality plays in which actors, dressed as skeletons led the mortals of flesh and blood to their graves. Here we will focus on the leitmotif of these symbolic images which conveyed to Catholics the message of memento mori and served as a sign of societal levelling in which all meet the same end no matter their social status. Traversing the Atlantic to Catholic Latin America, conquered and colonized by the Iberians, we examine how images of death were transmuted in the New World, combining with Indigenous iconography and eschatology. Three regional folk saints of death, as we describe, resulted from the symbolic and cultural syncretism of the Spanish Grim Reapers and Indigenous death deities. Returning to question of gender, we will analyse the unique female personification of death, Mexican Santa Muerte, and her two male cousins, Argentine San la Muerte and Guatemalan Rey Pascual.

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Citation

Chesnut, Andrew; Kingsbury, Kate. Death Personified in Popular Culture: The Grim Reaper and Sante Muerte. Religion, Death and the Senses. Equinox eBooks Publishing, United Kingdom. Jun 2024. ISBN 9781000000000. https://www.equinoxpub.com/home/view-chapter/?id=43875. Date accessed: 26 Nov 2022 doi: 10.1558/equinox.43875. Jun 2024

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