Stereotyping Women in the Works of Teodoro S. Mongelós

Music, Meaning and Value in Paraguayan Song - Alfredo C Colman

Elisa Mercedes Lezcano Verón [+-]
Paraguay’s National University of the East/National University of Caaguazú/National University of Villarrica/Conservatory of Music ‘Sofía Mendoza’
Elisa Mercedes Lezcano Verón holds a Bachelor of Music and Master in Latin American Interdisciplinary Studies with emphasis on Paraguayan culture and music from the Federal University of Latin American Integration of Foz de Iguazú, Brazil, as well as the Specialist title in University Pedagogy from the Universidad del Norte, Paraguay. She is currently studying for the Diploma in Planning and Execution of Thesis Projects, and a Pedagogical Qualification for teaching in secondary education. She is Professor for the Bachelor of Music programme at Paraguay’s National University of the East, the National University of Caaguazú, the National University of Villarrica, and the Conservatory of Music ‘Sofía Mendoza’ (affiliated with the National University of Pilar), and provides thesis advise and tutoring to undergraduate and graduate students. Alongside her teaching and tutoring roles, Elisa works on the ‘Music therapy for older adults and retirees’ project at the Faculty of Applied Sciences, National University of Pilar.

Description

This article focuses on the work Homenaje a Teodoro S. Mongelós [A Tribute to Teodoro S. Mongelós] on the album Piano Paraguayo by the Argentine pianist and composer Óscar Cardozo Ocampo (1942-2001). The tribute is based on a compilation of four songs by the poet and musician Teodoro S. Mongelós (1914-1966): ‘Ha Pilincho’, ‘Nde resa kuarahyáme’, ‘Che mbo‘eharépe’ and ‘Musiqueada jazmín guype’. Based on the systematic analysis proposed by researcher Gaya Makaran, the verses of each song will be analyzed in light of stereotypical representations of Paraguayan women. By understanding the historical and social contexts in which these songs were written, the article will explain the numerous ways in which Paraguayan musicians and composers have developed such views within the traditional and “popular” music sphere in twentieth century Paraguay.

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Citation

Verón, Elisa Mercedes Lezcano. Stereotyping Women in the Works of Teodoro S. Mongelós. Music, Meaning and Value in Paraguayan Song. Equinox eBooks Publishing, United Kingdom. p. Oct 2026. ISBN 9781000000000. https://www.equinoxpub.com/home/view-chapter/?id=44108. Date accessed: 20 Apr 2024 doi: 10.1558/equinox.44108. Oct 2026

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