Selva e ‘India’: Celsa Ramírez Rodas and the Female Resistance during the New Singer-Songwriter Movement under the Dictatorship of Alfredo Stroessner in Paraguay

Music, Meaning and Value in Paraguayan Song - Alfredo C Colman

Miguel Díaz Antar [+-]
Musician/Universidad de São Paulo
Miguel Díaz Antar is a researcher and musician (double bass player) who obtained his first musical certification from the Ateneo Paraguayo in Asunción. He holds a Bachelors, Masters and PhD degree in Music from the University of São Paulo (ECA-USP), School of Communication and Arts. He is a member of the Núcleo de Pesquisas em Sonologia (NuSom) at the Universidad de São Paulo; the Orquestra Errante, an experimental music ensemble linked to NuSom; and the Paraguayan Virtual Musicological Society. His research focuses on Paraguayan music, technological mediation and multidisciplinary composition. As a double bass player, he is a member of the ensembles Ôctôctô, Joaju Cuarteto, DuoCoz, Ñembo, Filarmônica de Pasárgada and KairosPania Cia. Cênico Sonora. Díaz has to date released 15 albums and performed live during numerous music festivals in Argentina, Bolivia, Brazil, England, Germany, Luxembourg, Paraguay, Portugal, the United States and Uruguay.
Nicolás Ramírez Salaberry [+-]
Universidad Nacional de Asunción
Nicolás Ramírez Salaberry is a lecturer in the Facultad de Arquitectura Diseño y Arte, Universidad Nacional de Asunción since 2019. He holds a Master’s in Music (Musicology/Ethnomusicology) from the Universidade Estadual Paulista, qualified in orchestral/choral conducting at the University of São Paulo, and received a scholarship in music education in Japan in 2004. In 2000, he received a teaching diploma in music theory and solfége from the School of Music ‘Maestro Herminio Giménez’, and since then has held numerous teaching positions in several musical institutions in Paraguay. He was a Lecturer in Choral Singing (2010-2018), Musical Education (2013-2017) and Singing (2013-2016) for the ‘Guri Santa Marcelina Cultura’ Social Project in São Paulo, Brazil). From 2016 to 2017, he conducted the ‘Marjan Farma’ choir, based in Santo Amaro (São Paulo, Brazil). In 2013, he was appointed as Conducting Assistant for the Wind Band at the music department of the University of São Paulo under the guidance of Prof. Dr. Sergio Cascapera. He is a member of the Latin American Forum for Music Education of Paraguay, the Virtual Paraguayan Society of Musicology, and actively conducts research in the area of musicology. Among his numerous artistic activities, Ramírez’s main achievements are in the fields of orchestral and choral conducting, composition, and arranging, and performance on the viola and guitar.

Description

This article aims to expand understandings of the New Singer-Songwriter Movement (Nuevo Cancionero) through the stories of those who fought for freedom and hope for political change during the Stroessner military dictatorship in Paraguay (1954-1989). Our research has included a unique interview with the Paraguayan harpist ‘Selva’ Celsa Ramírez Rodas, who, due to her intense activity as a member of resistance movements, was persecuted, imprisoned and tortured by the Paraguayan military regime. The first-hand experiences told by Ramírez shed light on the violence of repression, the firmness of resistance to that repression, and the use of music in two different ways: as a means of torture and as a means of resistance. We also highlight the cultural activities carried out in the Emboscada prison camp and present some music recordings made clandestinely by prisoners. We highlight the importance of the Nuevo Cancionero, and the “rooted and rooting” character that is embedded in these musical recordings.

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Citation

Díaz Antar , Miguel; Ramírez Salaberry, Nicolás . Selva e ‘India’: Celsa Ramírez Rodas and the Female Resistance during the New Singer-Songwriter Movement under the Dictatorship of Alfredo Stroessner in Paraguay. Music, Meaning and Value in Paraguayan Song. Equinox eBooks Publishing, United Kingdom. p. Oct 2026. ISBN 9781000000000. https://www.equinoxpub.com/home/view-chapter/?id=44109. Date accessed: 20 Apr 2024 doi: 10.1558/equinox.44109. Oct 2026

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