Sounds Irish, Acts Global - Explaining the Success of Ireland's Popular Music Industry - Michael Mary Murphy
Conclusion
Sounds Irish, Acts Global - Explaining the Success of Ireland's Popular Music Industry - Michael Mary Murphy
Michael Mary Murphy [+]
Dun Laoghaire Institute of Art, Design and Technology, Dublin
Michael Mary Murphy is a lecturer on the music industry at Dun Laoghaire Institute of Art, Design and Technology, Dublin. He worked in the music industry for twenty years as an artist manager as well as an artist and repertoire (A&R) manager in New York and London. He has published a number of articles on the Irish music industry for academic journals and contributes to radio and print media outlets on Irish music industry topics.
Jim Rogers [+]
Dublin City University
Jim Rogers is a lecturer in communications at Dublin City University. His core research interests centre on the media and cultural industries, music, and copyright. His first book, The Death and Life of the Music Industry in the Digital Age was published by Bloomsbury Academic in 2013. He is the co-editor of A Critical Guide to Intellectual Property, Zed, 2017 and author of many published academic articles on the music industry.
Description
Many of Ireland’s popular music acts benefitted from the individual enterprise, or industry, of local supporters. The music industry in any country or region should be understood in the context of that enterprise. The music industry does not mean the same thing as ‘the industry of music.’ Even though the Irish music industry is suffering from a post-Covid 19 crisis, the examples of Irish supportive enterprise may benefit acts in other countries.