The Session Recordings of the Classic Oscar Peterson Trio (1954-1958)
Ray Brown - His Life and Music - Jay Sweet
Jay Sweet [+]
musician, educator and writer
Jay Sweet is a professional jazz bassist, educator, writer, and researcher. Currently, he teaches bass instruction and courses in Jazz History, American Music History, and Music Appreciation at Monmouth University in West Long Branch, New Jersey. He has also taught several related courses at Middlesex College and Rutgers University. In addition, he is the owner and director of Sweet Music Academy, where he and his fantastic staff of highly trained instructors have taught well over 3,500 students through his efforts. Along with teaching, Jay Sweet is an active performer who has performed and recorded with several noted artists. Most recently, he has worked as a contributing editor of Jersey Jazz Magazine and released the book A History of American Music: An Origin Story 1750-1950 (Kendall Hunt).
Jay Sweet holds degrees from Berklee College of Music (B.M.) and Rutgers University (M.M.). He is also the host of the popular podcasts 30 Albums For 30 Years (1964-1994) and The Jazz Real Book.
Jay Sweet holds degrees from Berklee College of Music (B.M.) and Rutgers University (M.M.). He is also the host of the popular podcasts 30 Albums For 30 Years (1964-1994) and The Jazz Real Book.
Description
This chapter examines the Oscar Peterson Trio's session recordings from 1954 to 1958, emphasizing their adaptability and distinct sound amid the evolving landscape of small-group jazz. The trio, known for its cohesive and signature time feel, became a sought-after backing band, collaborating with renowned soloists through Norman Granz's effective formula. The chapter delves into Ray Brown's role in maintaining a delicate balance between steady time and creative interplay, particularly in collaborations with tenor saxophonists Lester Young, Ben Webster, Coleman Hawkins, and Stan Getz. Brown's versatility shines in sessions with trumpeters, drummers, and violinists, contributing significantly to jazz's varied landscape during this era.