Narrative Visions and Visual Narratives in Indian Buddhism
Naomi Appleton [+–]
This volume explores the interaction between text and image in Indian Buddhist contexts, including not only the complex relationship between verbal stories and visual representations at Indian sites, but also the ways in which visual imagery is used within textual narratives. The chapters are authored by a mixture of textual scholars and art historians, bringing together different disciplinary perspectives in order to seek a richer understanding of how text and art relate, and of the role of narrative imagery in
different media and contexts.
After two introductory chapters, the second of which places Buddhist narrative into the physical and devotional landscape of early India, the volume is divided into three sections. Imagery and Images offers papers exploring the work of imagery, within narrative texts and in artistic settings, and through the role of colour across written and pictorial sources. Visual and Textual Depictions contains papers that explore the relationship between visual and verbal forms of the same stories and how uses and interpretations may differ. The final section, Visualising the Buddha, uses stories of the Buddha as a way of exploring the power of narrative and visualisation in devotional and biographical practice.
The volume seeks to bridge the divide that traditionally exists between textual scholars and art historians, and to challenge the contributors to think beyond the usual boundaries of our work.
Table of Contents
Bates College, Lewiston, Maine USA
and study of the marble-stelae recension of the Pāli canon preserved at the Kuthodaw Pagoda in Mandalay, Myanmar. He is currently a Research Assistant at the University of Edinburgh working on the creation of an online searchable database of Jātaka stories in the texts and art of South Asia.
South Asia (OUP 2000). He recently launched a full online translation of the Apadāna, an important early Buddhist narrative collection: http://apadanatranslation.org/
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