Narrative Visions and Visual Narratives in Indian Buddhism - Naomi Appleton

Narrative Visions and Visual Narratives in Indian Buddhism - Naomi Appleton

3. The Power of Image and Imagery: Visualising the Divine and the Human in Painted Narratives of Ajaṇṭā

Narrative Visions and Visual Narratives in Indian Buddhism - Naomi Appleton

Madhulika Reddy [+-]
University of Mumbai
Madhulika Reddy holds a PhD from the University of Mumbai. Her dissertation probes the narrative paintings of Ajanta for their aesthetic visualization of Buddhist values and concepts. Her research interests focus on the aesthetics of early Buddhist art in India and the visual culture that informs it; the interface between aesthetics and ethics in the conceptualization of the early image; and the complex relationship between the early saṅgha and the lay community as reflected in the art of the early Buddhist sites of India. She is currently revising her PhD dissertation for publication.

Description

This chapter looks more closely at a key narrative motif or character type as a way to explore similar questions about the relationship between visual and verbal narratives. Early Buddhist narratives use striking imagery to distinguish the divine from the human. This is particularly so where the divine is surrounded by beings that are human in more ways than one. The techniques of contrast used in early Buddhist paintings to define that which is divine and distinguish it from the human appear to be grounded in pictorial conventions shaped both by oral and textual traditions, with the oral probably contributing in significant measure. This human-divine distinction – be it in the visual image or in the text – does not stop with form and metaphor; rather, it goes well beyond to visualise complex philosophical concepts. This chapter draws upon examples from the 5th century paintings of Ajaṇṭā to illustrate this point. In doing so, it juxtaposes the visual image with the ‘visual text’ to probe an aesthetic that is philosophical and hence edifying. The chapter also explores the painted image as a distinct mode of communication to better understand how powerful visuals impact the images of the mind, through that transformative phenomenon we know as darśana. As such, it also serves as a bridge to the final part of the volume.

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Citation

Reddy, Madhulika . 3. The Power of Image and Imagery: Visualising the Divine and the Human in Painted Narratives of Ajaṇṭā. Narrative Visions and Visual Narratives in Indian Buddhism. Equinox eBooks Publishing, United Kingdom. p. 55-87 Apr 2022. ISBN 9781800501317. https://www.equinoxpub.com/home/view-chapter/?id=39989. Date accessed: 26 Nov 2022 doi: 10.1558/equinox.39989. Apr 2022

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