We all know about hip-hop's urban origins, but how much do we know about hip-hop's reach into more rural regions of the world? Adam de Paor-Evans has provided us with an academic framework with which to do so--part (auto)ethnographic, part critical theory, he weaves an engaging story of bedroom graffiti, pause-button mixtapes and crew rivalries in 1980s provincial Britain. This book show us how far, and how early on, the sounds and materials of hip-hop cultures reached the other side of the Atlantic, and the idiosyncratic nature of those flows in particular. It's a must read for any UK hip-hop fan and for those looking to apply fresh ideas to their own studies of regional hip-hop.
Justin A. Williams, Department of Music, University of Bristol and author of Rhymin and Stealin: Musical Borrowing in Hip-hop