Popular Music, Culture and Place in England’s North
Ewa Mazierska [+–]
University of Central Lancashire
The North of England is regarded as a region economically and culturally lagging behind the South of England. However, this situation does not refer to popular music in which the North has had an influence which is comparable to that of London. Many bands and performers coming from the North, including the Beatles, the Animals, Herman’s Hermit, the Smiths, the Happy Mondays, the Fall, Joy Division, New Order, Pulp and Oasis belong to most popular and influential pop-rock musicians in the world. The North has also been the home to some particular dance scenes including Northern Soul, the ‘Madchester’ acid house, rave scenes and hip hop and grime scenes.
This collection presents some of the less well known facets of popular music in the North of England, examining how popular music reflected on various aspects of the North, such as its economy and architecture and how it impacted on self- and external perception of the North. It assumes that understandings of the English North vary and its geography has more to do with imagined rather than empirical communities. The North can be seen as being defined against an England epitomised by London and as an area reflecting the most salient features of England as a whole. Specific chapters discuss topics such as the music scenes in Manchester, Liverpool, Hull and Sheffield, music festivals and careers of some musicians connected with the North such as MC Tunes and Bugzy Malone. Written in a jargon-free language, it should be of interest to everybody interested in music of the North.
Table of Contents
Part 1: Northern Music, Regional Politics and Entrepreneurial Culture
Associate Director Birmingham Centre for Media and Cultural Research
Reserach Fellow – School of Media, Faculty of Arts, Design & Media
Jez Collins is a Research Fellow in the Centre for Media and Cultural Research at Birmingham City University where he researches the role of popular music and cultural heritage. He is interested in the role popular music plays in the manifestation of individual and collective identity formed through individual and collective memory practices particularly in the online environment. He is a PhD candidate at the University of Liverpool where he is researching the role of individuals and communities who participte in the online activist archiving of popular music’s past and what, if any, new insights these practices are bringing to the cultural, social and political understanding of the role of popular music and place.
Part 2: Pop-Rock Soundscapes, Scenes and Artists
Part 3: Hip Hop and Grime
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