She’s at the Controls - Sound Engineering, Production and Gender Ventriloquism in the 21st Century - Helen Reddington

She’s at the Controls - Sound Engineering, Production and Gender Ventriloquism in the 21st Century - Helen Reddington

Male Culture and Studio Territory

She’s at the Controls - Sound Engineering, Production and Gender Ventriloquism in the 21st Century - Helen Reddington

Helen Reddington [+-]
University of East London
View Website
Helen Reddington is Senior Lecturer in Music Production at the University of East London, UK.

Description

Women’s engagement with technology and music technology are contextualized from a historical perspective. The importance of role models and the issue of male gatekeeping lead on to a discussion about laptop production and female autonomy. The stereotyping of studio roles has become thoroughly normalized through male control of the industry.

Notify A Colleague

Citation

Reddington, Helen . Male Culture and Studio Territory. She’s at the Controls - Sound Engineering, Production and Gender Ventriloquism in the 21st Century. Equinox eBooks Publishing, United Kingdom. p. 95-118 Mar 2021. ISBN 9781781796511. https://www.equinoxpub.com/home/view-chapter/?id=33689. Date accessed: 15 May 2021 doi: 10.1558/equinox.33689. Mar 2021

Dublin Core Metadata