She’s at the Controls - Sound Engineering, Production and Gender Ventriloquism in the 21st Century - Helen Reddington

She’s at the Controls - Sound Engineering, Production and Gender Ventriloquism in the 21st Century - Helen Reddington

Index

She’s at the Controls - Sound Engineering, Production and Gender Ventriloquism in the 21st Century - Helen Reddington

Helen Reddington [+-]
University of East London
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Helen Reddington is Senior Lecturer in Music Production at the University of East London, UK.

Description

She's at the Controls gives a socio-historical examination of the roles of women studio professionals in the UK music industry based on interviews conducted over six years with 30 female studio practitioners at different stages of their careers and working in different genres of popular music including reggae, hip hop and pop. The edited interviews are preceded by an in-depth exploration of the often unseen and unacknowledged gender rules of music industry practice (both personal and technical) that underpin popular music etiquette. A range of supporting material from academic works to technical publications and popular music journalism is used to expand and critique the discourse.

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Citation

Reddington, Helen . Index. She’s at the Controls - Sound Engineering, Production and Gender Ventriloquism in the 21st Century. Equinox eBooks Publishing, United Kingdom. p. 213-215 Mar 2021. ISBN 9781781796511. https://www.equinoxpub.com/home/view-chapter/?id=42816. Date accessed: 15 May 2021 doi: 10.1558/equinox.42816. Mar 2021

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