Dancehalls, Glitterballs and DJs - From the Pleasure Garden to the Discotheque - Bruce Lindsay

Dancehalls, Glitterballs and DJs - From the Pleasure Garden to the Discotheque - Bruce Lindsay

It’s All Over Town

Dancehalls, Glitterballs and DJs - From the Pleasure Garden to the Discotheque - Bruce Lindsay

Bruce Lindsay [+-]
Music Journalist and Social Historian
Bruce Lindsay is a freelance music journalist and social history researcher. He is the author of Shellac and Swing: A Social History of the Gramophone in Britain (Fonthill Media, 2020), Two Bold Singermen and the English Folk Revival: The Lives, Song Traditions and Legacies of Sam Larner and Harry Cox (Equinox Publishing, 2020) and Ivor Cutler: A Life Outside the Sitting Room (Equinox, 2023).

Description

The 1960s heralded a promise of a better life for people in Britain, thanks to the white heat of technology. Rock and roll lost much of its impetus but there was plenty of new music for dancing. The nightclubs of London’s West End seemed impossibly glamorous, but teenaged workers and schoolkids began to look elsewhere for inspiration about what to wear, what to listen to and how to dance. Much of this inspiration came from the USA. Rock and Roll may have faded, but American pop, soul and rhythm and blues records began to hit the British charts. Chubby Checker, an American singer, extolled the virtues of ‘twisting’ and suggested that teenagers twist again, but most British teens would be twisting for the first time. No partner was necessary before stepping on the dance floor, no complicated moves need be mastered. By 1962, a new London nightspot was called La Discotheque. La Discotheque was just the beginning. Two or three years later, London boasted discotheques such as Dolly’s, Scotch of St James’s and the Cromwellian Club and provincial cities and towns soon followed suit with clubs like Samson and Delilah’s, Club America – established to attract US service personnel on their days off – and the Blue Nile. Discos, at first promoted as exclusive new places for the nation’s hippest and most glamorous crowd, soon lost that sheen of faux-glamour and opened up to teens and twenty-somethings of all classes as they spread across Britain. TV and the movies struggled to keep up with these new musical trends, but soon scored hits with Ready, Steady, Go!, Top of the Pops and A Hard Day’s Night.

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Citation

Lindsay, Bruce. It’s All Over Town. Dancehalls, Glitterballs and DJs - From the Pleasure Garden to the Discotheque. Equinox eBooks Publishing, United Kingdom. Feb 2025. ISBN 9781800505971. https://www.equinoxpub.com/home/view-chapter/?id=44956. Date accessed: 08 Oct 2024 doi: 10.1558/equinox.44956. Feb 2025

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