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ReviewsThe History of European Jazz is a monumental work of international scholarship, which has been part-funded by the EU. The large format, two-column layout means that each page is twice the size you would find in a conventional book. There are 742 pages, with 45 contributors from across the continent.
The importance of this book [is that it is] published in just one language – English. At last, we have a single publication that brings together a vast collection of knowledge and ideas and traditions, many of which have never travelled beyond certain national boundaries. Each chapter not only narrates the development of jazz in each country but includes a separate bibliography and listening guide.
To call The History of European Jazz fascinating is something of an understatement. Every chapter is full of extraordinary information.
Peter Jones, Jazz in Europe
One of the most ambitious projects in jazz scholarship... the first extensive look at the history of indigenous European jazz as written by the experts of each country or region...covered in detail previously unavailable to English readers...
Named as one of the best jazz books for 2018
The New York City Jazz Record
As one slightly sceptical observer put it to me, “The project really is limitless in its scale.” Indeed so. Jazz in Europe over the past century is a vast, disparate and more or less inexhaustible subject. So it is definitely to the credit of those involved that they have not only managed to pack so much in between the book’s black covers, that they have given it such a sense of order and structure, and that the standard of the English and of the proofing are so good. It is also very well illustrated and the picture captions are detailed and highly informative.
...the cultural, historical and economic contexts in the different countries are never the same. And the approach of allowing a specialist from the country concerned to tell each story gives that authentic sense of where the music comes from.
...books on this ambitious scale are increasingly a rarity. The fact that this one has received the backing to actually come into being, and that it has been done this well, is nothing short of a miracle.
London Jazz News
It's taken some time, about a century in fact, but finally, thanks chiefly to editor and jazz historian Francesco Martinelli of Siena Jazz, the first comprehensive, pan-European history of jazz sees the light of day. And what stories they are too -complex, colorful and sometimes tinged with tragedy. Though jazz celebrated its centenary in 1917, what this book demonstrates time and again is the longer historical view, whereby the back and forth migrations of people between continents and across national borders over many centuries, and the cultural exchanges and assimilations along the way, have all fed, and continue to feed, into the complex mosaic that is jazz.
There have been excellent jazz histories of individual countries to be sure, and sweeping—and generally less satisfying—historical overviews of European jazz are not uncommon, but for its scope, detail and academic rigour The History of European Jazz: The Music, Musicians and Audiences in Context is simply unprecedented in its ambition. What also sets it apart from most general European jazz histories is the fact that the jazz histories of the forty-odd countries examined herein have been written by experts native to their respective countries, ensuring an authenticity and insight that would be missing from any single author's necessarily narrow overview.
The chapter authors are, without exception, distinguished jazz journalists, authors, promoters, academics and curators.
All About Jazz
A precious first step for both academia and music journalism.
Much to praise and enjoy in this book
Great for classrooms, libraries, and scholars, this work opens the door for anyone interested in jazz in Europe from its inception to the present and is a strong starting point for further research for scholars seeking to contribute to the field.
The History of European Jazz, edited by Francesco Martinelli, gets my vote as the most significant work of jazz scholarship of 2018.
The book is able to take the discourse about its topic to a level higher than ever achieved before.